Pros: This book is useful to both students (at ANY level) and teachers
I have attended the previous 4 consecutive Django in June weeks. And like many of us “hobby-guitarist” that attend I devote all the time I can toward practicing (mostly using books, DVDs, YouTube, and some professional instruction). My personal goal isn’t to procure a world tour with the Rosenberg’s (although they keep asking) but to simply further my understanding, enjoyment and ability to play Gypsy Jazz. I’ve worked pretty hard at it but after a couple of years I’ve seemed to reach a plateau and felt like I just couldn’t move forward. But what I found during my yearly pilgrimage to Michael Horowitz’s ‘table of able’ this year has reinvigorated me and is proving to be the holy grail for breaking though to the next level of playing.
A long-long musician, guitarist and educator, Anthony Kenan Parker, just released his new book Manifesting Manouche, and it is truly sublime. The method he’s developed and that is presented in this book is unique and innovative. It will change your understanding, raise your playing ability and most importantly, elevate your enjoyment of Gypsy Jazz. This book is so different I was able to do something I never could with the countless other books accumulating on my shelves; I read though the entire book first before ever picking up my guitar. This was tantamount to looking at a map and seeing where you are and where you want to get to and seeing clearly the entire route you’ll need to travel to get there. Only a book that has an outstanding method allows for this, and this is it! I could point out many other positives that makes this book distinctly more useful and accessible than many I already own but his approach (along with his cohesive method) are key factors that re-sets the bar so well and so high.
The other thing I’d like to add is that the author has also attended many years at Django in June (along with a plethora of other workshops, seminars and of course perforating with consummate players worldwide) and has taken some of the best material presented at DiJ over the years and incorporated it into his own work. So, if you have never been to a D-Jam or a Django in June this is the prep ‘workbook’ you’ll want. If you have attended DiJ in the past then this book’s also the review material for all those hours you’ve put in only to forget what you learned a month later. I also love the fact that although I knew a descent amount of the material he presents, seeing what you thought you knew from a whole new perspective really helps make it much more meaningful, fresh and useful. Repetition being the key to learning and mastering.
This book is highly valuable in the hands of a total beginner, the novice (me), intermediate, skilled enthusiasts (those darn guys with chops)…and even for the greats that share and teach there’s some amazing new ideas, but mostly I can see this as becoming the go-to book for those that regularly teach GJ (it’s literally designed the student/teacher relationship). I’d write more but all I want to do is get back to studying it…and by ‘it’ I mean Manifesting Manouche by Anthony Kenan Parker. Get this book, you’ll love it! And great job, Sir!
Submitted by: Steve Arista on 08/16/2015 06:34:14 AM