No name is more associated with contemporary archtop guitars than
that
of Robert Benedetto. In a career that stretches back nearly half a
century, Bob pioneered refinements in sound and playability that set the
standard for the modern archtop guitar. Born in New York City, Bob
began building archtop guitars in
the 1960s, quickly attracting a clientele that reads like the "Who's
Who" of
jazz guitar: Bucky Pizzarelli, Chuck Wayne, Joe Diorio, Cal Collins,
Johnny Smith, Jack Wilkins, Ron Eschete, Martin Taylor, Howard Alden,
John Pizzarelli, Andy Summers, Jimmy Bruno and Kenny Burrell have all
played Bob's guitars. Beginning
in 1999, Bob took a more managerial role by overseeing the production of
his guitars at larger shops (first at Fender's Custom Shop and later at
the current Benedetto factory in Savannah, GA.) While these later
instruments are of excellent quality, most players and collectors covet
the earlier models that Bob built himself.
This Fratello model
was custom built in 1988 at Bob's shop in Clearwater, FL for the noted
jazz virtuoso Jack Wilkins. This model features a hand carved European
spruce top, solid master grade European maple back and sides, flamed
European maple back, and an American flamed maple neck. Aesthetically,
this instrument draws it's inspiration from the traditional look of
Gibson and D'Angelico archtops hence the sunburst finish and block pearl
fingerboard inlays. The guitar is fitted with an ebony cello style
tailpiece and a set of Schaller Deluxe tuners. Custom features include
an unbound ebony pickguard and top mounted ebony volume and tone
controls. A Benedetto humbucker has been fitted to the top.
Built
at the height of Bob's career, this "Golden Era" Benedetto posses the
exceptional tone and playability that made his instruments so sought after
by the world's top players. Amplified, the tone is rich and clear with
none of the brittleness in the treble range nor the muddy bass that
plagues the sound of lesser guitars. Instead, this instrument is warm
and even, with rounded highs and a well defined, crystal clear bass
response. The midrange is full and complex, adding gorgeous color and
mystique to chordal work. Not surprisingly, the guitar sounds outstanding
unplugged as well, with enough acoustic projection for the casual
living room jam or even swing rhythm playing. The action is set at 1.8mm, giving the guitar a buttery, smooth feel that makes quick, nimble passages a breeze to execute.
The condition of
this instrument is excellent, with some small dings and scratches on the
body and some mild fretwear. The only real aesthetic damage is a small
ding on the back, lower treble bout area where a small bit of finish
chipped off. Otherwise, this guitar is amazingly well preserved for
having been owned by a professional.
This instrument was evaluated
by Bob Benedetto himself in 2014 and includes a letter stating that it
was handbuilt for Jack Wilkins and has a replacement value of $40,000.
Here's an opportunity to own a piece of jazz guitar history for
substantially less!
This is the CASH price...add 3% if you'd like to pay with a credit
card. Add 4% for international credit card orders.
Brand | Benedetto |
Year | 1988 |
Model Number | Fratello |
Serial Number | 15588 |
Sound Hole | F Holes |
Fret Neck | 14 Fret |
Condition | Excellent |
Size | 17" |
Scale Length | 25" |
Nut Width | 1 3/4" |
Body Depth | 3" |
Top | Spruce |
Back and Sides | Maple |
Neck | Maple |
Fingerboard | Ebony |
Binding | Ivoroid |
Finish | Nitrocellulose |
Tailpiece | Benedetto Ebony Cello Style |
Tuners | Schaller |
Action | 1.8mm |
Strings | Benedetto 12-52 |
Case | TKL Hardhsell |
Pickup(s) | Benedetto Humbucker |
Truss Rod | Yes |
Weight | 6.4 lbs |