Tchavolo
Schmitt is one of those musicians who can say so much with so
little. His music has an earthy, down home feel that many of the young,
highly technical players lack. He always plays with a strong and
aggressive attack and makes every note count.
Tchavolo Schmitt is originaly from Paris and was a regular at the flea
market jam scene at La
Chope. Apparently he ran into some trouble and moved to the Alsace
region of Eastern France. Despite his Parisian roots, he is still
strongly associated with the Alsace style.
Tchavolo is in top form in this live recording from 1978. He uses every
trick in the book to keep the audience entertained during his solo
which is over a dozen choruses long. He plays the last chorus all on
the open high E string by simply detuning the string to the appropriate chord
tone.
For more Tchavolo Schmitt see his CDs: Memoires, Swing 93, Alors? … Voila!, and Gipsy Jazz School .
From the collection of Ted Gottsegen.
Enjoy!
-Michael
MP3: Sweet Georgia Brown
Posted by Michael Horowitz on April 1, 2005 at 3:11 pm in Audio.Comment on this post.
Check out British guitarist Stuart Blagden’s version of an old Manouche favorite:
Valse de niglos
Posted by Michael Horowitz on February 25, 2005 at 6:58 am in Audio.Comment on this post.
This fantastic documentary includes interviews and music of
Biréli
Lagrène,
Fapy
Lafertin,
Boulou
Ferré, Vivi Limberger, Tcha Limberger, and many others.
Enjoy!
-Michael
mp3:
Django’s People
Posted by Michael Horowitz on January 30, 2005 at 2:44 pm in Audio.Comment on this post.
Bireli Lagrene is one of the most accomplished jazz guitarists active today. His career, which started around the age of 10, has included performances with some of the world’s top musicians. He has shared the stage with fusion guitarist Larry Coryell, fretless bass pioneer Jaco Pastorius, and accordion virtuoso Richard Galliano. Bireli is a master of numerous styles including bebop, fusion, and swing. He is also a multi instrumentalist with phenomenal skill on guitar (electric and acoustic), electric bass, and drums.
However, Bireli’s musical roots lie in the music of Django Reinhardt. Like most Sinti children, he was immersed in Django’s music from a very young age. While growing up in the Gypsy camps of the Alsace region of Eastern France, he developed incredible technical and improvisational skill. His talent was quickly recognized, resulting in performances across Europe as a young as age 10.
The following mp3 gives a glimpse into the musical life of Sinti children. Jamming is part of the every day fabric of life in Gypsy camps. There is no set time or place, rather the music just happens all day, and often all night. Sinti, most of whom play at least a little, spend much of their day visiting neighbors. Inevitably the guitars come out and music starts. While many Sinti guitarists do practice seriously, many develop a high level of technique through these informal jams that are a part of the fabric of Sinti life.
On the following mp3 Bireli is jamming on the popular standard I Can’t Give You Anything But Love. The rhythm guitarist is most likely his brother and bandmate Gati Lagrene. Take note of the aggressive “German” style rhythm playing favored by Alsatian guitarists.
There is a segment on the new Bireli Lagrene DVD which shows him playing solo guitar around this same age. For more info see: Bireli Lagrene DVD
Also check out Bireli Lagrene’s Gypsy Project CDs: Gypsy Project
Enjoy!
-Michael
MP3: I Can’t Give You Anything But Love
Posted by Michael Horowitz on December 23, 2004 at 10:00 am in Audio.Comment on this post.
Django’s first son was Henri “Lousson” Baumgartner (1928-1992). Like Babik, Django’s second and more famous son, Lousson was an excellent guitarist. Since Lousson was older he actually played with his father on occasion and even accompanied him on numerous recordings in the 1940s. Like many of the second generation players, Lousson played more contemporary styles of jazz on an archtop electric guitar. Despite Lousson’s modern bebop approach, his Gypsy heritage is evident in his technique, repertoire, and sense of aesthetics. The following home recording of Lousson playing Django’s bebop style tune Nuits de Saint-Germain-des-Pres demonstrates his largely unsung talent. Lousson never recorded commercially.
This recording made during a rehearsal sometime in the 60s. Please excuse the poor quality. There are numerous drop outs through out.
MP3: Nuits de Saint-Germain-des-Pres
Posted by Michael Horowitz on November 3, 2004 at 1:34 pm in Audio.Comment on this post.