We are now pleased to offer Swiss made Schertler amplification products at DjangoBooks.com.
Schertler manufactures the best acoustic amplifiers and pickups and are quickly becoming THE choice of Gypsy jazz musicians. Gypsy jazz virtuoso John Jorgenson now performs exclusively with the the Schertler DYN-G transducer and the Schertler Unico amplifier.
Also, acclaimed French jazz violinist Didier Lockwood uses the Schertler DYN.
We are offering a very low price on these products so that good sound can be had by all. If you’re a previous DjangoBooks.com customer you can email me for a special price: info@djangobooks.com
To read more about Schertler see: schertlerusa.com
The contact pick-up for all stringed instruments.
Simply apply the special kit supplied, and BASIK will convey the body
vibrations with high precision producing a natural acoustic sound.
With the BASIK-SET, the microphone can be plugged in any amplifier through the phantom power adapter. This product has been conceived either for musicians or other not professional use (Hi-Fi, PC, etc.).
Schertler
Basik-Set Electrostatic Pickup for Stringed Instruments
There is also a version that has been conceived for pro audio and recording studio applications: the BASIK-PRO, which is supplied with a Phantom adapter 48V, to let you be connected to a mixer or directly to a SCHERTLER amplifier (DAVID or UNICO) (STAT input).
Its user-friendliness and cost-effectiveness make BASIK the ideal acoustic pick-up for beginners.
The Basik Reso is specially designed for use with Resonator guitars.
Schertler
Basik-Reso Electrostatic Pickup for Resonator Guitars
For more info or to buy click here: Schertler Basik-Set Electrostatic Pickup
The acoustic electrodynamic transducer from Schertler is patented worldwide. The heart of the transducer is a coil which moves through a decoupled magnetic field to create a voltage differential, delivering a true response to the acoustic vibrations of the instrument’s body. Schertler DYN-Series transducers provide a sound that is exceptionally acoustic in nature, a pickup quality until now thought impossible to produce. The sound is close to that of a studio microphone, but without the on-stage problems of bleed or feedback.