DjangoBooks.com
Welcome to our Community!
Categories
- 17.9K All Categories
- 394 General
- 255 Welcome
- 10 Archtop Eddy's Corner
- 74 CD, DVD, and Concert Reviews
- 29 FAQ
- 9 Gypsy Jazz Italia
- 17 Photos
- 24 Gypsy Picking
- 3 Unaccompanied Django
- 1 Pearl Django Play-Along Vol.1
- 1 Gypsy Fire
- 21 Gypsy Rhythm
- 551 Gypsy Jazz University - Get Educated
- 104 Gypsy Jazz 101
- 175 Repertoire
- 128 History
- 88 Technique
- 39 Licks and Patterns
- Daniel Givone Manouche Guitare Method Users Group
- 17 Eddie Lang Club
- 998 Gypsy Jazz Gear
- 646 Guitars, Strings, Picks, Amps, Pickups and Other Accessories
- 316 Classifieds
- 36 Recording
- 38 Other Instruments
- 17 Violin
- 3 Mandolin
- 6 Accordion
- 3 Bass
- 9 Woodwinds
- 197 Gypsy Jazz Events
- 78 North America
- 81 Europe
- 38 International
Who's Online 1
Today's Birthdays
Tchavolo's (poly?)rhythmic thing
Hey Dennis,
I know you showed me this once, and I'm probably going to get you to show me again sometime, but how does Tchavolo play that odd/off rhythm thing he does so often while soloing (like in his version of Lady Be Good on Miri Familia)? It's usually with a chord or octaves I think.
I hope everyone knows what I'm talking about.
Kevin
I know you showed me this once, and I'm probably going to get you to show me again sometime, but how does Tchavolo play that odd/off rhythm thing he does so often while soloing (like in his version of Lady Be Good on Miri Familia)? It's usually with a chord or octaves I think.
I hope everyone knows what I'm talking about.
Kevin
Comments
www.denischang.com
www.dc-musicschool.com
I can definitely hear that pattern, like over the turnaround "break" on the D octave before the chorus in the beginning and then later in his solo (around 2:55) but is he using that same pattern around 3:30? Maybe it's because he is using chords rather than octaves (and with a moving base line) that it sounds different to me somehow...oh well, looks like I have something new to practice (as if I needed more things to practice!)
Kevin