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Rodrigo Shopis - Baroette Review

Hi,

I don’t post often but I’m a long time lurker here. I recently had a guitar made by Rodrigo Shopis and I’m so happy with the result that I wanted to drop a review for Rodrigo and the guitar. This is my 2nd guitar made by Rodrigo. The first is a 2014 D'artagnan model S (Selmer style) that I still own.


This time around I decided to go with his Baroette model - based on the Di Mauro Special Chorus shape which has a wider 16 1/4” body (also similar to typical Busato body widths). After a few conversations, we decided to go with walnut back and sides and a spruce top. Rodrigo sourced some top quality wood and the result is really outstanding.


This is easily the most well balanced, nuanced, loud, and eye catching of all guitars I have owned. My initial comment when I first played the guitar was that it’s a “rhythm monster”...it has this room-shaking bark that just makes it a joy to play rhythm. The low end is big and cutting, mids are clear with a solid bark but without nasalness, and the highs are round and sparkly. Overall it has a BIG personality and a lush sound that really fills the room. I think Rodrigo has created something very special here. He is still active and making world class guitars. His email is rodrigoshopis@gmail.com


Some specs: 

  • Model Baroette
  • top grade European spruce top 
  • 16 1/4” width
  • walnut back and sides
  • walnut neck with maple spline
  • light, vintage varnish throughout
  • extremely light weight


I’ve attached some pictures, including a side-by-side with my D’artagnan model S just for fun. The pictures don't do justice to how pretty the figured walnut and purfling on this guitar is.



JSantaBillDaCostaWilliamsbillyshakesCraigHensleydb5rudolfochristScoredogTomas

Comments

  • rudolfochristrudolfochrist Worms, GermanyNew Dupont MD-100
    Posts: 144

    Sound samples, please! 😊

  • juandererjuanderer New ALD Original, Manouche Latcho Drom Djangology Koa, Caro y Topete AR 740 O
    Posts: 205

    Congrats on your acquisition!

    MinorBlues
  • MinorBluesMinorBlues New York✭✭✭
    Posts: 80

    Sure, I'll put something together this weekend. For now though here is Amati Schmitt playing Rodrigos F hole version of the same exact shape. I believe this one has mahogany back and sides.

    https://youtu.be/lJyHJOldaHU

    BillDaCostaWilliamsrudolfochrist
  • MinorBluesMinorBlues New York✭✭✭
    Posts: 80

    Actually, here's Amati playing the same model, Baroette oval hole, in sunburst. This is the video that got me interested in getting one myself. Some jaw dropping playing for a random staircase improv. That tone though 😯


    rudolfochrist
  • MinorBluesMinorBlues New York✭✭✭
    Posts: 80

    Made a quick video messing around on Troublant Bolero. Obviously the phone mic is pretty overdriven by the volume but hopefully you get the idea. Recording on a new zoom H4n soon so the real sound will come through once I get that setup!

    https://youtu.be/msi8M6eNf6Q

    WillierudolfochristBillDaCostaWilliamsnomadgtrBuco
  • MinorBluesMinorBlues New York✭✭✭
    Posts: 80

    Much cleaner audio with the zoom H4n, playing around (pretty mellow/quiet honestly) on Djangology.

    https://youtu.be/9k9QzMirN44

    BucoWillierudolfochrist
  • Posts: 5,032

    The phone video was neat, I thought for a second the guitar was amplified.

    WillieBillDaCostaWilliams
    Every note wants to go somewhere-Kurt Rosenwinkel
  • BillDaCostaWilliamsBillDaCostaWilliams Barreiro, Portugal✭✭✭ Altamira M01F, Huttl, 8 mandolins
    Posts: 654

    What does it feel like when playing?

    The sound is so rich it might seem hard to keep in control of the instrument.

  • Posts: 5,032

    Rodrigo's guitars are some of the best playable you'll encounter. His precision is second to none.

    MinorBlues
    Every note wants to go somewhere-Kurt Rosenwinkel
  • MinorBluesMinorBlues New York✭✭✭
    Posts: 80

    It's up to the player to tame the beast! Amati hits much more of the nuance/range in the 2 vids I attached than I'm capable of. Definitely rich and lush when played that way but equally mean and crunchy on rhythm in person.

    Previous guitars I've owned: 1950s Bucolo, 1940s Carbonell, Manouche Moreno model, Dell Arte Favino Hommage, and played a bunch of others. All subjective of course, but this guitar stands out as having a unique projection (atleast towards myself/the player while playing it) compared to my experience with the others. I can't ask for more if that leads to a bit of extra inspiration for me.

    As far as the physical feel, I have long fingers and prefer chunkier necks so I asked for a thicker C to V profile (my Dartagnan has a more standard size neck), and minimal coating because I prefer not to feel a polished neck, so it feels pretty amazing to me and faster/easier to play than my others.

    BillDaCostaWilliams
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