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Tony Mottola

ScoredogScoredog Santa Barbara, Ca✭✭✭✭
edited September 12 in Welcome Posts: 942

I see a few other older guitarist's get some run here besides Django.

I have not seen Tony Mottola mentioned here. Tony was born in 1918 and was heavily influenced by Django, his first band being a takeoff of the HCQ with another soon to be acclaimed guitarist Al Caiola. You can still find both of these artists on "Beautiful" music stations. Tony was possibly America's first top guitarist heavily influenced by Django.

Here is Coquette...

https://www.youtube.com/watch?v=-JrwplnT6T0&list=RD-JrwplnT6T0&start_radio=1

DoubleWhiskydjazzyWillierichter4208voutoreenieBillDaCostaWilliamsJangle_JamieBuco

Comments

  • Posts: 301

    Wow, thx Scoredog - I do know of Tony but primarily from his work with Carl Kress like this:

    Really cool to hear him ripping on electric and now I'm gonna have to spend some time listening to more Mottola!

    Scoredogrichter4208wimWillielittlemarkDoubleWhisky
  • Posts: 475

    He has some very mediocre albums later in his career.

    djazzy
  • Russell LetsonRussell Letson Prodigy
    edited September 13 Posts: 430

    A lot of the late-50s/early-60s material from studio guys like Mottola is like that "Coquette" track--not unlike the pop-style recordings that made Les Paul famous. (Not that there's anything wrong with broad-appeal pop or easy-listening stuff.) But like mid-1940s Paul, Mottola could turn out standard jazz, as in this clip from what looks like a 50s TV show:


    Guys like Mottola, Caiola, and Bucky had careers that depended on playing whatever the studio gig required, and had chops to execute it, kinda like the Wrecking Crew. Fortunately for us, Bucky never abandoned jazz-as-jazz, so we have a wonderful late-career stretch of recordings with all manner of great musicians--Grappelli, Goodman, Zoot Sims, Buddy Rich, Ruby Braff, Scott Hamilton, George Barnes, Howard Alden, Frank Vignola, and his own kids. Among many others.

    BucovoutoreenielittlemarkWillieBillDaCostaWilliamsrichter4208DoubleWhisky
  • Jangle_JamieJangle_Jamie Scottish HighlandsNew De Rijk, some Gitanes and quite a few others
    edited September 13 Posts: 429

    That version of coquette has a wonderful little break in it - start it at 1:20 and it builds nicely to a very satisfying sequence of chords - ooooh, lovely! I will try to work out what they are and get them into my solo!!!

  • adrianadrian AmsterdamVirtuoso
    Posts: 580

    He had a great touch on the instrument! I love his playing.

    Check out the recordings he made with the Tony Mottola Four in 1947. It includes an older version of Coquette, which is different from the one posted above and a bit more similar in aesthetic to Django:


    Final fun fact about Tony Mottola...he taught Johnny Carson how to play guitar:

    Adrian

    billyshakeslittlemarkWillieDoubleWhiskydjazzy
    Give my albums a listen: Melodic Guitar Music and Layer Cake
  • pdgpdg ✭✭
    Posts: 614

    He played guitar one at least one Burl Ives album. I heard it as a kid, listening to "folk music." Long before I listened to jazz.

  • edited September 14 Posts: 5,705

    His right hand does have a slightly arched wrist and he does that thumb dance that you see people do sometime. He mentions Django here

    He was a great player and I never heard of him. I wonder how many others are out there.

    Every note wants to go somewhere-Kurt Rosenwinkel
  • Posts: 5,705

    Another name that I came across by pure chance is Remo Palmier. I was browsing used records store in Lakeview, Chicago, back when almost everything was $2 (early 2000s), and I saw a record called Windflower. I was like "oh cool, here's a record with Herb Ellis and... who's this... Remo something..." Come home to find out Remo was an amazing guitar player and this album is one of my favorite jazz records ever.

    Not only is the playing awesome, it's so well recorded. Perfectly engineered jazz guitar duo, both guitars have a great jazz box tone, with the rhythm section of drums and an upright. An upright bass especially is an example of a well recorded acoustic bass.

    billyshakesNoto
    Every note wants to go somewhere-Kurt Rosenwinkel
  • NotoNoto
    Posts: 53

    Remo Palmier also had a recording of his own on Concord in 1979.

    He played a beautiful version of "Stardust" with Joe Puma accompanying him at Tal Farlow's 75th Birthday party in NYC. Remo had said he greatly admired Tony Mottola and played the same semi-hollowbody as Tony.

    BucoDoubleWhiskyScoredog
  • Posts: 5,705

    That's so cool that there's that connection between the two of them. Thanks sharing.

    Every note wants to go somewhere-Kurt Rosenwinkel
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