Thanks Mark A. Very concise and informative comparison. I did not know some L4's had a mahogany neck. I have a 1940 L4 in maple, it has a maple neck with rosewood board and Nick Lucas inlays.
Also thanks to Pickitjohn, for the link to the L5 site--very cool.
MarkAVermont✭✭✭Holo Epiphany, Gibson L-5, Recording King M-4
Posts: 109
Bones, kerfed bracing seems strong enough to support the top as the one I have hasn't sunk, but it could be affecting the sound, how exactly I'm not sure. I think you're right, probably was to cut costs and not a good idea as the next line, the advanced L-5s (17 inch) were using solid braces. Odd thing is that on mine it looks like they are kerfed and then a darker layer was applied to the face of the brace away from the top, seemed like a lot of work.
Mark, hmmm interesting. I've never seen one so actually probably shouldn't really comment on it. I imagine if the top has held up all this time it must be fine structurally. I'd sure be interested in seeing one though as I hate fitting solid braces on arch tops. Totally fussy PITA.
BTW, Marty Grosz uses a weird tuning in case anyone didn't know that.
One time I sent Mr. Grosz a letter years ago (snail mail) asking him about his tuning and chord shapes. And he actually wrote me back. He said to stick with standard tuning. (LOL)
Comments
Mark A. The bracing on the top would not be strong enough if it was kerfed??? Seems like a cost saving measure and not a good idea.
thanks
Also thanks to Pickitjohn, for the link to the L5 site--very cool.
BTW, Marty Grosz uses a weird tuning in case anyone didn't know that.
One time I sent Mr. Grosz a letter years ago (snail mail) asking him about his tuning and chord shapes. And he actually wrote me back. He said to stick with standard tuning. (LOL)