Hi everybody,
Is it just me or is something wrong with this "la pompe"? I find it very annoying but I'm not sure why:
http://www.youtube.com/watch?v=OVM9l7FQ ... PQVEylobrL
(I posted a similar article a few weeks ago but got no response so far. Maybe I posted it in the wrong section of the forum and probably my question was not precise enough. So I thought I'd try again - hope it's not a transgression of the forum etiquette).
Comments
Yes, I'm the guy next to the bass player
(Comments on our performance are very welcome of course - but not the reason why I posted this article in the first place)
Perhaps what you're hearing is that the song sounds a bit more aggressive than you'd prefer. This song is supposed to be a groovy steam-train-chugging-down-tempo swing-tune. So maybe lay back a bit on tempo and focus a little more on feeling that little pause on the 1 & 3... till you feel it start to swing. This is a fun song, so take some time to lay back and really enjoy it and feel it in your bones when you play it.
Here's a good swinging version by Dorado & Mano
or listen to Django's original version.
First I think the first major problem is the tuning... Guys you have to tune your instruments.
As far as I'm concerned it's the first soloist that's much annoying to me... he's out of tune and if you listen and look closely, he can't stop plucking with it's right hand, he never stops or breathes with the right hand. So there's always an out of tune string ringing.
Then I would recommend that when you do la pompe you have to keep being straight. No "chabada" or messy afterbeat, it must be like a carpet for the solosit, your two rhythm guitars have to sound like one with a tight sound.
It's just a matter of playing, keep going guys!
It would be interesting to hear a recording you guys in a different room, even better outdoors.
You asked for critique so there will be things pointed out. But it is also important to say that it was a nice performance!
My advice for the soloists would be to pick closer to the bridge to bring out more of the tone in the guitar.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles