You must just think the note you want to change is the minor third of the note you should play.
Considering the notes are placed on a 5 lines staff you just imagine the note placed graphically immediately below the given note is the transposed one for the Eb instrument :
So two solutions can be written on a line or on a space of that 5 lines staff (or stave):
- the transposed note is placed on the line below the one where is written the given note
- the transposed note is placed on the space below the one where is written the given note
For example:
under C there is an A
under D there is an B
under A there is an F
under G there is an E
and so on...
It works very well and is immediate.
On sax you can also very easily imagine your note is two fingers below the written note:
- you play B with the 1 finger of left hand (1=index) and you must close 2 and 3 to get a G
- You play F with the 1 finger of right hand (1=index) and you must close 2 and 3 to play a D
Oh yes I forgot about the bass clef book I remember I did it years ago.What about chord changes and improviseing on themI suppose I just have to write them out A m7 would be F#-7. Bmaj would beG#maj or is it Aflat maj theres some others like this .Is this right.
I prefer to think what degree of the scale a note is.
Eg if I'm transposing from C to A for alto, if I see a G I think 5th and write E. I think getting your brain thinking that way easily is handy in all sorts of ways.
Comments
Considering the notes are placed on a 5 lines staff you just imagine the note placed graphically immediately below the given note is the transposed one for the Eb instrument :
So two solutions can be written on a line or on a space of that 5 lines staff (or stave):
- the transposed note is placed on the line below the one where is written the given note
- the transposed note is placed on the space below the one where is written the given note
For example:
under C there is an A
under D there is an B
under A there is an F
under G there is an E
and so on...
It works very well and is immediate.
On sax you can also very easily imagine your note is two fingers below the written note:
- you play B with the 1 finger of left hand (1=index) and you must close 2 and 3 to get a G
- You play F with the 1 finger of right hand (1=index) and you must close 2 and 3 to play a D
Best
Pretend the bass clef is a treble clef, play the notes as written and add three sharps to the key signature
F 1b becomes D 2#. G 1# becomes E 4#
Bb 2b becomes G1#
Db 5b becomes Bb 2bs etc etc
Eg if I'm transposing from C to A for alto, if I see a G I think 5th and write E. I think getting your brain thinking that way easily is handy in all sorts of ways.