StringswingerSanta Cruz and San Francisco, CA✭✭✭✭1993 Dupont MD-20, Shelley Park Encore
Posts: 465
Mandos and Banjos are tuned differently.
I used to have a problem with the 10th Fret marker. Now I just look at the fretboard and see which I am playing and don't think much about it. My DuPont has a 9th Fret marker (the original owner had it moved). My Favino has a 10th fret marker. I'm good either way.
That said, I prefer the 9th. I am an American. YMMV
"When the chord changes, you should change" Joe Pass
klaatuNova ScotiaProdigyRodrigo Shopis D'Artagnan, 1950s Jacques Castelluccia
Posts: 1,665
I'm an American as well, now living in Canada, played American guitars with 9th fret markers for 50 years. With some effort, I've totally converted to 10. Now only my Martin D28 and vintage Epiphone archtop have 9s, and they throw me off a bit. I rarely play the former, and the latter is strictly used as a rhythm instrument, so it's no big deal.
Can't recall where I read this, but someone said that Selmer went with 10 because they wanted to appeal to all the jazz banjo players who were switching to guitar.
Benny
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Not good to be dependent on the dots. Close eyes and play.
If only!!!
Okay, keep your eyes open, but turn off the lights!
Those who think you really need a dot at the 9th or 10th fret might want to consider that most
Classical guitars usually have only one side dot at the 7th fret and some have no markers at all.
I think most people can learn to play without looking if they work at it.
klaatuNova ScotiaProdigyRodrigo Shopis D'Artagnan, 1950s Jacques Castelluccia
i have a guitar with 9th dot, one with 10th dot and one with no dots... makes no biggie. i agree that you should play with your eyes closed. i´m a terrible player, but still manage to play without looking at the fretboard (it´also comes handy when you´re trying to convert to the gypsy way of picking - then you can really focus on the right hand an still play melodic lines).
Comments
I used to have a problem with the 10th Fret marker. Now I just look at the fretboard and see which I am playing and don't think much about it. My DuPont has a 9th Fret marker (the original owner had it moved). My Favino has a 10th fret marker. I'm good either way.
That said, I prefer the 9th. I am an American. YMMV
Can't recall where I read this, but someone said that Selmer went with 10 because they wanted to appeal to all the jazz banjo players who were switching to guitar.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Okay, keep your eyes open, but turn off the lights!
Those who think you really need a dot at the 9th or 10th fret might want to consider that most
Classical guitars usually have only one side dot at the 7th fret and some have no markers at all.
I think most people can learn to play without looking if they work at it.
I'd like to see someone develop fluorescent side markers before I go turning off the lights. Or maybe they have ...
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles