transcribe as much as you can... make mistakes , learn from them, until you get it right and repeat...it's a very long process, but it's the best one...
it's like learning how to walk, u fall down, u get up, u try again, etc...
transcribe as much as you can... make mistakes , learn from them, until you get it right and repeat...it's a very long process, but it's the best one...
it's like learning how to walk, u fall down, u get up, u try again, etc...
Dennis, it's been really interesting to me to go back over and think on some of the things you've taught over the years. I mentioned elsewhere that during a webcam lesson with Adrian Holovaty, he mentioned a cool little tome, The Talent Code, which in its outlook mirrors so much of what you say, as a working philosophy - stuff one has to scratch for actively engages the mind (and ear, and hand), and it's the habit of working little mistakes, adjusting them to a desired outcome, over and over, that really teaches skill, literally wires the mind. Couldn't be a truer thing that the tunes I remember are the ones I watched and listened to, and nothing else...while grabbing TABs may get me into playing a tune more quickly..it also goes out of body and mind much more quickly.
I spent yesterday's practice re-doing Hono 1 of your site (as I do everyday); also transcribed A part of Stephane's Bistro Fada. Just this one phrase, over and over, slowly, until all the details - slides, hammer ons, pull offs, etc., were in place. Once I have this down so that I'm no longer thinking of it, next Part, and so on.
That, and Tchavolo's J'Attendrai, off of Alors?...Voila!
This is a first for me - have never done any kind of lead playing, my whole life (not saying much, since I hadn't picked up a guitar in 35 years). But it's a private thrill, truthfully. I knew your approach, and grew discouraged, because my ears and hands felt like such obtuse stones, in "stealing" sound. But the feel is getting easier....so, thanks.
The best thing I ever did for my ears - which aren't at all great, but much improved - was to start learning a whole lot of tunes, memorising them and transposing them into lots of different keys. This was initially done intellectually ("so that chord is the fourth of that, or a minor third up from that" etc), but increasingly became something i could do more and more aurally. It helped my recognition of chord progressions, but also of melodies and intervals. I think memory is vastly underrated as a musical skill, and when asked how he developed his truly amazing aural skills at a workshop here in Australia, Andreas Oberg said that the first thing was that he had a very good memory.
Comments
it's like learning how to walk, u fall down, u get up, u try again, etc...
www.denischang.com
www.dc-musicschool.com
Thanks Dennis.
Dennis, it's been really interesting to me to go back over and think on some of the things you've taught over the years. I mentioned elsewhere that during a webcam lesson with Adrian Holovaty, he mentioned a cool little tome, The Talent Code, which in its outlook mirrors so much of what you say, as a working philosophy - stuff one has to scratch for actively engages the mind (and ear, and hand), and it's the habit of working little mistakes, adjusting them to a desired outcome, over and over, that really teaches skill, literally wires the mind. Couldn't be a truer thing that the tunes I remember are the ones I watched and listened to, and nothing else...while grabbing TABs may get me into playing a tune more quickly..it also goes out of body and mind much more quickly.
I spent yesterday's practice re-doing Hono 1 of your site (as I do everyday); also transcribed A part of Stephane's Bistro Fada. Just this one phrase, over and over, slowly, until all the details - slides, hammer ons, pull offs, etc., were in place. Once I have this down so that I'm no longer thinking of it, next Part, and so on.
That, and Tchavolo's J'Attendrai, off of Alors?...Voila!
This is a first for me - have never done any kind of lead playing, my whole life (not saying much, since I hadn't picked up a guitar in 35 years). But it's a private thrill, truthfully. I knew your approach, and grew discouraged, because my ears and hands felt like such obtuse stones, in "stealing" sound. But the feel is getting easier....so, thanks.
pas encore, j'erre toujours.
Jon