I'm lucky enough to own this guitar's sister -- a D-Hole from '96 originally built for Kamlo Barre with the same mahogany back, sides, and neck. It's absolutely fantastic.
I don't know whether it's the mahogany or just J.P.'s mad skills, but both these guitars seem to possess a really rich, almost cello-like midrange, but with more than enough gypsy bite to cut through a jam. They're also loud as hell, without being brash.
I too have been mystified at why this guitar hasn't sold yet. Perhaps it is rosewood snobbery. But I also get the sense that J.P. sometimes gets forgotten in the recent boom of luthiers.
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BTW, e-mailed you awhile back about the DPA, etc., but never heard back. We had delivery problems once before, so I hope it got through.
I don't know whether it's the mahogany or just J.P.'s mad skills, but both these guitars seem to possess a really rich, almost cello-like midrange, but with more than enough gypsy bite to cut through a jam. They're also loud as hell, without being brash.
I too have been mystified at why this guitar hasn't sold yet. Perhaps it is rosewood snobbery. But I also get the sense that J.P. sometimes gets forgotten in the recent boom of luthiers.