Totally agree with you, Jay. I initially wrote a much (much...) longer post, but I don't want to dilute what you say with a sea of words. Spot on, in my opinion.
This is sort of an aside, but maybe is addressed to your inquiry. When we recorded our CD, our Wegens we use live were just too...much for the microphones. I ended up using the round corner of a Pearse ebony pick for my leads, which gave a fat tone without much pick noise, and Jill used a completely round "Django Button" for rhythm instead of her 7mm Wegen aka "Boomhower."
Live, I just ease up on the Wegen some when playing rhythm, and dig in for the leads.
This is sort of an aside, but maybe is addressed to your inquiry. When we recorded our CD, our Wegens we use live were just too...much for the microphones. I ended up using the round corner of a Pearse ebony pick for my leads, which gave a fat tone without much pick noise, and Jill used a completely round "Django Button" for rhythm instead of her 7mm Wegen aka "Boomhower."
Live, I just ease up on the Wegen some when playing rhythm, and dig in for the leads.
Thanks, Tele, good experience point. When you play live and use your wegen - by ease up, do you mean you play the point, and just play more lightly, or do you switch to the round edge on your wegen?
It's kind of crazy, but I'm now accustomed enough to using the Big City point, that going back to the Dunlop round edge or side, feels somewhat weird. That happened surprisingly quickly.
Thanks, Tele, good experience point. When you play live and use your wegen - by ease up, do you mean you play the point, and just play more lightly, or do you switch to the round edge on your wegen?
It's kind of crazy, but I'm now accustomed enough to using the Big City point, that going back to the Dunlop round edge or side, feels somewhat weird. That happened surprisingly quickly.
I just lighten up on the attack. I can't be spinning that thing around, the music goes by too fast!
Oh, man, thank you! A lot of memories from both places! That shadow in the middle of the trees is my friends and I, from close to half a century ago....hiked and ate there, so often.
Very kind of you to post this beautiful pic. Cheers, friend.
Hi Bones, I can jump in. You're looking at Ventura, California, about a half hour south of Santa Barbara. The "Two Trees" in the background are a kind of landmark for the foothills...I grew up there, surfing, hiking, plinking, being a truant, general boyish folly.
It's pretty moving to me that my boyhood home has such a top-notch gypsy swing crew in Jill and Miles & Co. Way to go, guys.
Comments
pas encore, j'erre toujours.
Live, I just ease up on the Wegen some when playing rhythm, and dig in for the leads.
http://www.jillmartinisoiree.com
Thanks, Tele, good experience point. When you play live and use your wegen - by ease up, do you mean you play the point, and just play more lightly, or do you switch to the round edge on your wegen?
It's kind of crazy, but I'm now accustomed enough to using the Big City point, that going back to the Dunlop round edge or side, feels somewhat weird. That happened surprisingly quickly.
pas encore, j'erre toujours.
PS: Love the "Boomhower." Beats one of our violinist's term, "Pepto Bismol."
pas encore, j'erre toujours.
I just lighten up on the attack. I can't be spinning that thing around, the music goes by too fast!
http://www.jillmartinisoiree.com
Say hi to my hometown, Two Trees and The Point (if it still exists).
pas encore, j'erre toujours.
http://www.jillmartinisoiree.com
Very kind of you to post this beautiful pic. Cheers, friend.
Paul
pas encore, j'erre toujours.
Where is that picture?
thanks
Hi Bones, I can jump in. You're looking at Ventura, California, about a half hour south of Santa Barbara. The "Two Trees" in the background are a kind of landmark for the foothills...I grew up there, surfing, hiking, plinking, being a truant, general boyish folly.
It's pretty moving to me that my boyhood home has such a top-notch gypsy swing crew in Jill and Miles & Co. Way to go, guys.
pas encore, j'erre toujours.