I don't play Gypsy Jazz music. I like it and plan to get into it at some point but atm I just play in a bar band in southern Louisiana playing country and classic rock covers on my trusty Telecaster. Don't even own an acoustic guitar.
However I need one. The band wants to bring me in for acoustic duo and trio gigs to play lead. Back in the 90s I played in swing groups and had occasion to run into guys playing GJ guitars and loved the way they sounded and so I always thought one day....
Something worries me though. I have read that these style guitars have stability issues in regards to humidity. How much of an issue is this?
Here is Louisiana, well, its like living in a jungle in the summer time. 100+ deg temps with very high humidity levels are normal. Hot n sticky. We also end up playing outdoors often, some clubs like to put us on the patio at night.
I like to run a pretty low action as I am a lead player and I worry just how unstable these style of guitars really are. I have avoided acoustic guitars for 32 years now as I can't imagine not being able to adjust my string height to adjust for changes in weather but I stand to pick up allot more gigs if I get with the program. That and I still have the dream of one day doing a Gypsy Jazz duo, heck I already know a good portion of the repertoire from my time playing swing.
Comments
Welcome to the forum!
Generally too much humidity is not as much of a problem as too little humidity. Owners of Gypsy guitars in very dry climates like the SW or in very cold climates like the Midwest have to be very careful to keep their guitars humidified as all sorts of problems occur if the instrument gets too dried out. I haven't had too many complaints from people living in humid, climates. Sometimes when a guitar first arrives in such a climate it needs some setup work, but once it's set the less drastic seasonal variations don't seem as hard on the instrument. Many people have a taller winter bridge and a shorter summer bridge which would correct any seasonal variation you may experience.
As far as versatility goes, generally the D hole guitars are better as they have the thicker mids and bass that make them useful in other styles like folk and American swing. The oval holes tend to be more pure Gypsy machines, but these are generalizations so you may find an oval hole that works for you.
You can see everything I have here:
http://shoppingcart.djangobooks.com/Category/guitars
Good luck!
Michael
Having a winter and summer bridge makes allot of sense.
I didn't realize that its the lack of humidity that causes more problems. Never a shortage of that here even in winter.
Will some more reading before making an order. Lots of info here to go through. Pickups ect.
Thx again.
To make a guitar like that sing, you have to committ to play it with the right technique.
Many people manage to make gypsy jazz guitars sound like dreadnoughts because they use conventional picking techniques and pick too close to the neck. In that case, why not play a cheap dreadnought instead?
So I'm writing this because it's good to keep into consideration before you spend your money, not to discourage you.
Like all guitars, it depends on the guitar. But from my experience a good Maccaferri or other GJ style guitar definitely has more to it than many flattops.
That's what happened to me.
Anthony
I can't tell if you're joking about this or not. Michael sells Argentines here for less than $10 a set. They are literally the cheapest guitar strings I've ever bought.
http://shoppingcart.djangobooks.com/Item/argentine_1510 - Here's a set of 5
http://shoppingcart.djangobooks.com/Ite ... 510_single - Here's one pack
That said they probably are hard to find at your local guitar shop. Just get the 5 pack so you have backups.
Technique aside for some people the scale length is the largest hurdle.
People also complain about the action height.
Speaking very generally GJ guitars are longer in scale and therefor have more tension than a typical 25.5" scale Fender guitar. So even if you do set your action on your GJ guitar at a more or less medium height for your Tele, your going to have more tension from the scale length difference.
Many folks on this Forum will have long since made the adjustment and will , because they are "fans" of the guitars and the music that they make, tend to soft pedal the differences; but truth be told, there are differences.
If you commit to the instrument and gradually develop the necessary approach I think you'll find as I have that these GJ guitars can be very practical for a working musician.
They cut through and are slightly exotic looking. So you have a form and function thing going on thats pretty special. Generally speaking they are fun to play. Why wear it out with the details. Fun is good.
Hey, we're guitar players, we like fun, GJ guitars are fun , whats not to like ?
The good thing is you don't have to spend a ton to get a serviceable instrument. A customer of mine bought an Altimira and by golly its good. Works just fine , sounds good , looks good and didn't cost the world.
An unsolicited plug for MH and Altimira.
A good bang for the buck.
realize where it came from. I also like the big necks and bendability of the strings. In some ways the tone is kind of like a Tele. I reckon you can play whatever you like on these things with no problem. There's a video of Earl Slick on YouTube saying how much he likes them for blues. Quite a few fingerpickers too. The French connection in your part of the world should make them a fit. The Gypsies seem to do okay playing outdoors around campfires, etc, but blazing sun and super high temperature is tuff on any guitar.
Swang on,