How is Adrien Moignard seemingly able to press down on the strings equally on each beat of a measure, do so lightly and gracefully, and still get the nice even muted, percussive chop on the 2 and 4, (and make it swing)? Try as I might, I can't duplicate it! I think I have it, then record myself, compare the two, and I'm way off because my 1-2-3-4 all sound the same (and no swing)! If you know how he's able to get this sound, please post here! Here's the link the Adrien Moignard's rhythm demonstration on "Minor Swing."
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~Steve
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www.denischang.com
www.dc-musicschool.com
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Counting one e and a ....two e and a....for eights say lifting left hand just as you start the and.
Do this every day for a few minutes a day. REAAAALLLY slowly. Using a metronome ...even better if it ac count the downbeats and the 16ths.
Once that is mastered mix em up 1/8 and a stacatto whatever swings for you. Play with really loose light touch, no tension. In time it comes. Its way more difficult to do really well and add in bass lines and chord changes .......than bashing off lead chops......WAAAAYYYYY more difficult IMO
Bones- flvto.com
Best clarity.
Nothing complicated. PM me and I'll send you what appears to be his fingering and chord progression. If you want to know how to download the video for studying purposes, download ClipGrab to your computer. Once you have the video on your computer, then you can use VLC (free download) to slow down the video to better see what's going on with the fingerings.
Dennis states, "his 2 and 4 are not muted by the way , unfortunately with the way the sound is mixed and the way the bass is covering the guitar, it does somewhat appear that way though."
If those 2s and 4s aren't muted, then they're not played out either. It sounds like a sweep of the strings without the pitches in a chord. If I could isolate the 2s and 4s on this recording, I would expect the 2s and 4s to have pretty much the same tonal color, absent of recognizable chords, no matter what chord was being played on. Maybe that's the effect of how it was recorded, but that's how Adrien's performances come across in other recordings as well. Unfortunately, I haven't had the chance to see Adrien perform live and up-close to get the true picture.
Bones asks, "Boheme, how do you download the Youtube to mp3 format?"
I use the following: http://www.listentoyoutube.com/. Even better, try downloading ClipGrab to download full videos to your computer.
Bones also asks, "Do you try to play along with the recording of Adrien rather than just recording yourself separately and comparing?"
I start with playing along to get the feel and mimic the movements. After I think I've got it, I use Garageband to record myself on a separate track playing along with the music. Then, I isolate my playing by panning myself hard right (or left) and also by cutting out the original music in the middle of the tune and listen for differences in my playing and that of the performer I'm trying to emulate. What has been frustrating is that I think I got the feel and playing correct as I'm playing along, even with the recording, but once I sit back and listen to myself (without the guitar in my hands) contrasting differences can be discouraging because of the noticable differences.
I finally went to Chicago to get a hands-on lesson from Adrian Holovaty, who has played with Adrien, knows the style, and is a very good teacher. He was able to see and hear things that I didn't detect in my own playing. That was very helpful. I then took a couple weeks off from playing in order to let the ground go fallow for awhile so the new seeds had fresh ground to grow from. I'm somewhere on the way to getting the sound to a place I can be comfortable with.