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Of course, Django played everything that way - astounding is an understatement, in my opinion.
Christophe Lartilleux is the closest copiest physically that I'm aware of, but I think the real technique that makes Django so fantastic went on between the ears, and that's why nobody sounds like him without copying him directly. Getting that part worked out is more sci-fi, and won't be found in a manual.
Or In other words, when you hear django, you KNOW it's django. With all due respect, when you hear most of the other modern greats, if you haven't heard the song, you may not immediately know who it is you're hearing. Unless it's django.
Anthony