Gonzalo's compositions are wild and fantastic journeys, intelligent, but also personable, satisfying both to the academic and everyday listener - I really think the comparison can be made - that he is doing for Gypsy Jazz what Astor did for Tango. I think it is a REALLY great trend for gypsy jazz to have original composers like him that bring the music to a new generation in a new way. Thoughts?
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Without innovation, things die. Gonzalo is one of a handful of guys who is able to push the boundaries hard and in unique ways without losing the core thread.
Innovation in GJ delights some folks and offends others, but without it, we'd be on a finite and diminishing path -- and if Gonzalo decided to leave the jazz world, it would leave a big crater in the scene. Thankfully, he is a jazz/blues man down to his bones. (though he is a great rock guitarist... if you've never heard him on a Strat... you're missing out)
it's about 1 minute in after he puts down the guitar
anyway, i don't think his stuff is Gypsy Jazz, and I mean that as a compliment, he has his own thing going on. Of course, he plays on Selmer style guitars, and with a similar instrumentation. But what he does is his, and his alone! It's a mix of all the styles that he likes, gypsy jazz, classical, argentinian, blues, justin bieber...
but then again, how does one define Gypsy Jazz ha..that's another big can of worms. For instance, a lot of the leading players today are non-Gypsies, and they have a totally different style than the vast majority of Gypsies. I don't think one is superior than the other, but I definitely hear a difference. At the heart of it all is Django Reinhardt!
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