So, I bought a gypsy jazz guitar last week, a Gitane DG-340 Modele Stephane Wrembel. All in all it is in good shape but I think it needs some setup. The bridge on my guitar is already high but the action is too low (I hope that makes sense) which causes a lot of buzzing especially when playing single notes, and just a little when playing chords. I moved the center bridge a bit and it is now alligned with the moustache (when I got the guitar, the center is a bit higher than the moustache) but it still buzzes. What should I do to make the action higher given that the height of the bridge is already high? Should I move the bridge a bit more? Maybe some adjustments on the truss rod? Or should I buy a new nut? I'm thinking of bringing it to a guitar luthier to get it fixed but I don't think we have a guitar luthier that specializes on gypsy jazz guitars. Would a regular guitar luthier work for getting the job done? Thanks in advance!
Comments
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I think most GJ guitars are prone to change the action with seasonal changes, not just Gitanes necessarily. Of course that depends on the local climate too, the same guitar is not going to have the same needs in San Diego as in Chicago.
Definitely, like others said, give it some time to acclimate to your local weather and then, after a couple of months perhaps, take it to a guitar tech for a setup. A good tech will be able to handle it, GJ guitar doesn't differ that much from other acoustics when it comes to setup. Meanwhile if it's buzzing to the point it's producing a dead note just shim the bridge.
There are a couple of really good posts on the forum regarding setups, look them up to get familiar so you can talk to the tech about your expectations.
- the bridge was super high compared to mine. We didn't measure it, but I estimate the height difference to be double,or at least 1.5x. (it was high enough for me to be reminded of the bridge of a double bass)
- the action on mine is about 3.5mm (my 3mm pick slips through between the 12th fret and low E-string with space to spare.) Nathan's guitar's action is almost "electric" in height and feel. This is odd since the bridge in mine is significantly lower.
- because of the low action, volume is less and tone is different (but strings may have something to do with it as well)
- the pliage, I notice, is different too. The gitane's pliage encompasses the whole top. Almost dome-like (at least to my eyes and feel). Mine only about half (when you view it at a certain angle, the Oval hole of mine seems skewed because of the pliage). But since the gitane is a signature model, I reckon it's according to Stephane's specs?
- the neck of the gitane lies at an obtuse angle relative to the body. So while the bridge is high, the neck's angle compensates for it, thus keeping the action pretty much equally low throughout the length of the neck. To compare, the neck on mine is more level or flat, so the action starts low on the first fret then gradually rises towards the bridge.
I eyed the gitane's neck and the frets were level and parallel, so no twisted neck issues.
Me and Nathan surmised that maybe the first owner wasn't used to gypsy guitars so had it set-up (first owner never played gypsy jazz. He was just a collector). But since there are no known luthiers here who are expert with Selmer-type guitars, maybe the luthier who worked on it set the gitane up as he would a flat-top?
Could it be that the neck was made to slant at an angle to lower the action, and give the guitar a more modern and electric feel? Or is this the normal way gypsy guitars are set-up and mine is the one that needs a little slanting?
The sound of the gitane is vastly different from mine (again it may be due to the strings), with the gitane sounding more modern. It was strung up with argies, mine with a generic Chinese brand. The gitane had mild buzzing (as does mine actually, but only with certain chords), and has virtually no overtones. But I wouldn't describe the sound as dry. On the other hand, my guitar sounds more 'boxy' with mild overtones (but with new strings, the overtones are all over the place). Both our guitars have no leather strip between the tailpiece and body btw. I assume the sound difference is due to different designs?
With the buzz, maybe it's because of the lack of leather?
Again, my guitar and Nathan's guitar are the only gypsy guitars I've ever held and played. So whatever differences I've seen or heard, I cannot say which is more 'correct,' which is right. I'm aware different guitars have different characteristics, so the difference in tone is not an issue. I am wondering about the neck angle though in relation to the bridge.
Every spring and every fall, my Dunn, which has very low action, goes through an adjustment period of a few weeks to a month where it can get buzzy on a few frets. This goes away once the guitar has settles. There is not a lot of seasonal RH difference here.
On an arch top jazz guitar its not unusual for a bridge to be 30mm tall.
Its all relative to the neck angle. Cheers from New Jersey USA