Anyone want to take a stab at this? I'd count anyone with a GJ guitar who plays it more than once a week :-)
My guess is less than 1000, maybe less than 500. If every major city in the country has 10 players and there are maybe 25 major cities where I know of a GJ presence and then multiply by two to take care of everyone we missed outside the major cities, I get 800.
Here in DC, there are maybe 10-15 players and I think of DC is as being one of the more active areas. Baltimore probably has another 10 thanks to the efforts of Michael J Harris and Sami Arefin who host a weekly jam session.
On the other hand, I don't get out as much as I should, could be way off. Maybe some of the touring players here can chime in. I wonder about the big cities like NYC and Chicago. And places I think of as very active like Seattle and Portland. San Francisco maybe. Maybe these places have dozens and dozens, I dunno.
I'm thinking it is less rather than more. Surprise me.
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Say when I was taking Gypsy jazz class at Old Town School there could be 5-10 people in the class. But not very many of the students show up in local jams. Maybe @adrian could make a rough guess at how many people he taught over the years at Old Town. I go to three different local jams, one in a private house, one in a bar and one at Caravan shop and mostly different people come to each one. So there's 20 maybe 30 people just in these jams. I have two friends who have Selmer copy guitar and play the music occasionally but aren't active in the local scene and there's gotta be more like them. I may be optimistic but there could be a 100 people in Chicago who at least dabbled in it.
Around the country I think there's more than 500 too. Take Django in June. The attendance there has grown to over 200 people and while it's an international festival most, I'm guessing, are from US. I don't know but I think it's optimistic to say that a third of all players from US go to it. Again maybe Andrew @andoatagn could have info on how many people he had participate over the years.
Finally perhaps Michael knows how many unique customers he has in the US, not all of which play Gypsy jazz but it could help round out the picture.
Add other instruments (mandolin, accordion, bass, uke and horn players), and the number of jammers playing Django's songs grows to about 20. This for a metropolitan area of 2.5 million people.
I'd say there'd be at least 1000, probably more in the US. If a small city like mine has 6, and there's Charleston and another town both close to same size, then if they had 6 each, that would figure to 18 just in larger cities of SC. Could be players scattered in smaller towns too. There's a lotta towns my size in the country. If a small state like mine could muster maybe 20-25, then California and Texas would certainly have more.
Who knows tho! My calculations could be way off! I'd love to know!
If one takes chicago as a high level and maybe half the players come to a jam that would put them at about 2.5 players per 100,000 Taking the U.S. pop at 318 million and an average of 1 per 100,000 that would give around 3,100 players. 1.5 gives 4700 ....2 gives 6200
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My brother just reminded me of a great Saturday Night Live skit from the 70's about the jazz market.
The skit is about a fake jazz talkshow called Jazz-Notes. The host is interviewing Eddie Murphy who is playing the part of a 1950's-style jazzman. The interviewer asks (Eddie): “How's the market for jazz?” Eddie says something like... “Man, on the down-low it's rough. We prostitute ourselves.” The guy asks: “When you say “prostitute... do you mean...” And Eddie replies: “You damn right, man – I mean we do weddings!” Man, we even do some birthday parties – we did a Bahtmitzvah last week with a bird theme and they made us dress up like penguins... Sh*t, man... you think Coletrane ever dressed up like a penguin? My keyboard player started crying...”
Yeah, I know it's not one of the more famous SNL skits because most people have no idea how little love & respect jazz gets as compared to the never ending stream of vapid pop music. But I guarantee that any jazz musician who ever saw that skit loved it. If you've ever carried one amp up two flights of stairs to play three sets of music for four people, then you're officially a jazz musician. But hey, if I could get out of the shop more, I'd go back to gigging in a heartbeat. Nothing else like it.
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