@rgrice - yes, this chord is part of a turnaround: Em7, A13b9, Dm7, G13b9. Song is "Exactly Like You." I figured it must be a misprint of the fret number (should've been 5, not 8).
Love it in that one as well, @Andrew Ulle. We do it in G to accomodate vocals. Just saw that in the book! Learned it before I had book so never noticed!
The late 20's early 30's 6/9 chords were thought the new hip for major chords. Maj and min 7 probably the same time. Note that in the original St Louis Blues the major and minor chords are just listed as maj and minor, switching to he dominant to indicate the I IV AND V I changes
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Most usually this would be considered a rootless F m 7 although one could also consider it a Ab maj triad with the 3rd in the bass.
The only note in the chord diagram in a Dm7 is the C which is the 7th. The chord names is a misprint likely. Should be Fm7
Thanks, guys, for putting me onto the fact that it can also be a rootless Fm7 chord!
Just one more reason why I love this website and all the smart people who post here...
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And speaking of chords, here's something I was pondering today as I walked the dog...
At what point in jazz (and/or pop music) did it become standard practice to add the sixth to major chords?
Same question with the major seventh...?
Same question with the minor seventh...?
I've listened to a lot of ragtime and ODJB-type jazz but I don't hear these sounds...
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