Venuti and Lang work their magic behind twenties cutie Annette Hanshaw... after a vocal chorus in the violin-friendly key of D, Lang modulates to Bb (- !) for Venuti's violin solo.
The real magic begins around 2:21, when Lang modulates back to D for Annette's vocal, and then provides some awe-inspiring accompaniment, alternating effortlessly between harmony with Annette and bass runs.
I don't claim to have mastered exactly what Eddie is doing, but here is a rough guess
-behind "Honey don't you cry, the clouds are rolling by, the rainbow's in the sky" he's playing arpeggios and or chords using this descending sequence
D X-X-12 -11-10-X
A7 X-X-11--8--9--X
Bm X-X--9--7--7--X
A X-X--7--6--5--X
G X-X--5--4--3--X
F#m XX--4--2--2--X
- and then behind "In the shadow of sunny skies above, we will laugh and love" he's playing arpeggios and or chords using this descending sequence
Em X-X-X-12-12-12
Em7 X-X-X-12-12-10
A X-X-X--9-10--9
G X-X-X--7--8--7
A X-X-X--6--5--5
G X-X-X--4--3--3
Check it out, let me know if I'm wrong!
Will
Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
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