I've got a Ischell pickup on the way and am looking for a few tips on placement. I know a few of you have been successful with placement near the bass-string side of the bridge. I'd appreciate any and all pointers and/or referrals to past articles about placement and use of this pickup. I'm getting the non-inbox version and will be playing it through the "David" Schertler amp, so preamp and phantom power issues should not be a problem. I just want to mount it and leave it on my Dupont MDC 50 without it looking too dorky.
Comments
Then you not only don't see that ugly little pickup gummed on the top of your beautiful guitar, but you can also use a quarter inch tail-pin jack instead of that skinny little wire that it comes with.
Best tech move I ever made.
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
I’m with you too on the look of the pickup on the surface. It kind of looks like a pimple if one uses too much white stuff. I asked Michael if it came in black; apparently it doesn’t. I’m goin to try to see how little I can get away with.
Anyway, I’m all in now. I’ve also got a Schertler David and a Peche a la Mouche on the way as well. Guess I just spent my Django in June money.
That said, on my Rodrigo Shopis D hole, I found the best spot to be on the bass side of the bridge, between the bridge and the soundhole, sitting on top of the brace. Some people have done better with treble side placement, and some have probably done well with Schertler's illustration, centered on the bridge. Try lots of placements and decide what is best to your ears.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
But I am here to tell you that if you put the thing on the inside, placing it underneath the bridge will give an even better sound than above a brace, no shit.
Recordings don't lie and if you are interested I could even send you MP3's of recordings made at gigs comparing the two positions on the same guitar.
But hey, just like klaatu says, you've gotta try lots of placements... preferably recording the sound at each location, so that you can listen to them when you're not actually playing the instrument. Hearing the acoustic sound of the guitar simultaneously with the pickup sound can be deceptive.
And if you do decide to take the plunge and mount the thing inside, I'd recommend that you stick it in there with double sided tape.
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Seems like a great setup
Then I had my guitar tech cut that thin wire and hook it up to a tailpin inside to make it compatible with a regular quarter inch guitar jack.
Then I hook that cord up to the little silver Ischell "inside box"-- why do they call it that when its never inside...?
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
This is a recording of "Nuages" on a night which the audience was unusually talkative and loud, so you can hear that the sound teetering just at the edge of feedback... nevertheless that wonderful Ischell pickup is rock solid!
I can't claim my playing is particularly wonderful by comparison with what I hear when I go to Django in June, but I will say this... YOU try playing without a rhythm guitar for awhile and see how YOU like it!
Will
PS The guitar signal has had some reverb added, just below the level where the listener becomes really aware of it. This produces an acoustic guitar sound which I really love but may not be to everyone's taste... sort of the equivalent of a "soft focus" lens.
As my late father used to say, "If this is the kind of thing you like--- then you'll really like it!"
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Tried various versions of DPA style mounting, but will be going back to the usual alternatives plus a strange one that has the mic pointing toward the sound hole from the lower portion of the instrument way below the bridge.
Put the Ischell back on for a bit but was immediately struck by the all the other sounds it picks up: fingers/knuckles brushing on the top of the guitar, string/pick noise. I’m thinking I’ll adjust or get used to it as a trade off for more volume and easier set up.
Michael reminded me that amping these guitars is a thankless task. Sometimes, an L-5 style electric is the way to go. Let’s see if I can scrape up that 28k Michael is asking for.