Does anyone have suggestions for a not too difficult waltz (e.g Montagne Ste-Genevieve is pretty difficult) that can played at a gypsy jam?
One of the regular upright bass players who shows up asks if anyone knows any waltzes and nobody does. I think it would be fun to play a waltz at the gypsy jam sometime.
Thanks!
Comments
But since it's your bass player who called it, maybe that's not the case here. Take a look at "La Foule", easy to play and instantly recognizable. Also "Dolores" is kinda like a waltz version of Django's tiger, it has a catchy melody and not too hard.
It's also pretty fun to try and take a swing tune you all know and get it into 3/4 time, seeing how you can rephrase the head to make it work. Well, I'd rather jam on a waltz than a "gypsy bossa", at the very least!
I certainly agree with Wim as it's not really fun when somebody calls "La Gitane" so they can have 5 guitars play rhythm for them. Also double agree about the disaster that is the "gypsy bossa" , fake bossa, or real rumba.
Under the Paris Skies (not really a Gypsy waltz but it's a waltz and often found in the GJ repertoire) is one I can think of that's easy melody and a nice form to improvise over. Feel free to skip the major section...
Also take a look at songs that are not strictly gypsy waltzes. Charmaine is a lovely tune, as is Lara's Theme from Dr. Zhivago, and Anniversary Song played as a waltz (as originally sung) is another.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
I have no experience doing this at a jam but Anniversary Song was originally a waltz (Flots du Danube) so would probably be a tune everyone knows, has jammed over, and could be worth a try putting it back into 3/4. You can listen to some of the waltz versions to see how the melody fits.
There's a south american one (Venezuelan?) called "La Partida" that's popular and works well. Samy Daussat went through it a bit in his classes at DIJ.
And if you've got an accordion player in the jam, be sure to throw them a few waltzes
Agreed on the more formal waltzes being jam-killers - which is unfortunate, because it means they're not played much, and people don't bother learning them - or they don't stick. The shorter, more tuneful ones - Chez Jacquet, Delores, Ma Theo/La Minch etc - can work nicely at jams if played maybe twice through, with 2 different soloists each presenting their take on the tune.
We used to play Nuages in 3/4 as well, was fun.