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La Pompe, long-short vs short-short

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Comments

  • BonesBones Moderator
    Posts: 3,323
    Yeah def hear the long-short in many 'western swing' style recordings.
  • In the words of a number of great musicians

    Let teh song lead the way
    The Magic really starts to happen when you can play it with your eyes closed
  • Posts: 5,033
    Nothing like a pompe question to get the forum to wake up.
    Bones
    Every note wants to go somewhere-Kurt Rosenwinkel
  • BonesBones Moderator
    Posts: 3,323
    Well I guess that's the long and the short of it.

    Sorry....
  • Hah, was waiting for someone to say that one =)
    The Magic really starts to happen when you can play it with your eyes closed
  • BonesBones Moderator
    Posts: 3,323
    I know, it was too obvious but it needed to be done.
  • Posts: 5,033
    Actually what I've seen some pros do on the faster than fast tempos is instead of pumping with the left hand on each quarter beat they pump on 1 and 3 and more or less mute the 2 and 4 (which is different than pomping on each beat but semi muting the 1 and 3). This is isn't the easiest to do though and make it sound good too, but it would certainly give your left hand less of a workout.
    Every note wants to go somewhere-Kurt Rosenwinkel
  • @Bones ROFL glad you did it
    The Magic really starts to happen when you can play it with your eyes closed
  • MikeKMikeK Asheville, NCNew Altamira M-10, Epiphone Zephyr Regent
    Posts: 416
    I appreciate the helpful tips, all of you. I think my approach to la pompe from now on will be like this:
    -rake-pop (short-short) on most tunes.
    -on some of the ballads, tastefully do some long/short comping.
    -on the really fast tunes, either practice and get better at my la pompe at fast speeds or try Buco's suggestion. Or both.
    I particularly like the notion of letting the song lead the way. Thanks for a good discussion.
  • AndrewUlleAndrewUlle Cleveland, OH✭✭✭ Cigano GJ-15
    Posts: 542
    I think it was Robin Nolan who has a quick lesson on rhythm for really fast-tempo songs where he strummed both up and down stroke, so it was half the effort of ALL down stroke strumming. You still need to dampen the left hand appropriately, but that's not too hard.
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