Michael,
In Gypsy Picking, you talk about a lot of different ways of holding the 3-4-5 fingers of the right hand, emphasizing that they should never rest on the top but more or less float freely, and that many players brush the top lightly as they play. You also mention that the fingers should be somewhat curled - as I understand it, starting with them curled like in a fist and then relaxing them somewhat.
Is there a disadvantage to letting those fingers relax completely and hang loose? I've been playing that way for decades (in other styles, just recently becoming a GJ enthusiast)? I still keep them off the top and just brush them over it (or in this case, over the pickguard, since I am still stuck with playing on an archtop, but I'm working on that!).
Benny
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Comments
That's what you should be doing...I'd have to see your hand in action. But your fingers should be pretty loose. Especially if you're letting them brush against the top. If you keep them closed in a fist then it takes a little more tension. But not much....
Good luck!
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http://youtube.com/watch?v=dsFmzkd5ug8& ... ed&search=
unfortunately we can 't hear him too well for two reasons: he's a soft picker, sani van mullem is playing rhythm guitar like a train
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www.dc-musicschool.com
I think klaatu means really uncurled, almost like a Jimmy Rosenberg thing:
Yep, that's about it. Wish sounding like Jimmy was as easy as looking like Jimmy.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
It happened to Django too....all his guitars are worn out above the high E string!
For those of you that play Gypsy picking style with loosely curled fingers, like Stochelo just try this.
pick up your guitar and play a few downstrokes on the high E with your standard technique and listen, particularly to the volume, of the note.
then copy Jimmy's style - thumb and forefinger exactly the same but stick all the other three out, bolt rigid and play a few notes with the same amount of effort. Any observations anyone?
What I'm getting at is that I'd like to see some attention paid to the other fingers in terms of the projection and tone it gives you when using GP technique. By the position of these other three, it affects the tension between your thumb and forefinger because all your tendons are linked. This degree of tension has a big effect and you can see it in most of the major players. In relation to a loosely curled fist-
Django- plays with his middle finger lowered in relation to the others
Stochelo- gets his tension from expanding the gap between his first and his middle finger
Jimmy- gets the tension from sticking his fingers out straight
Tchavolo- seems to raise the 3rd and 4th knuckles slightly
In classical bow technique you look at the whole hand, not just the bits that make contact with the bow. Maybe its time the same thinking was applied to the pick...
What does anyone else think about this?
Xav