DjangoBooks.com
Welcome to our Community!
Categories
- 18.1K All Categories
- 440 General
- 281 Welcome
- 11 Archtop Eddy's Corner
- 82 CD, DVD, and Concert Reviews
- 38 FAQ
- 9 Gypsy Jazz Italia
- 19 Photos
- 25 Gypsy Picking
- 4 Unaccompanied Django
- 4 Pearl Django Play-Along Vol.1
- 1 Gypsy Fire
- 25 Gypsy Rhythm
- 603 Gypsy Jazz University - Get Educated
- 117 Gypsy Jazz 101
- 190 Repertoire
- 143 History
- 96 Technique
- 40 Licks and Patterns
- Daniel Givone Manouche Guitare Method Users Group
- 17 Eddie Lang Club
- 1.1K Gypsy Jazz Gear
- 692 Guitars, Strings, Picks, Amps, Pickups and Other Accessories
- 344 Classifieds
- 39 Recording
- 39 Other Instruments
- 17 Violin
- 3 Mandolin
- 6 Accordion
- 3 Bass
- 10 Woodwinds
- 223 Gypsy Jazz Events
- 87 North America
- 87 Europe
- 49 International
In this Discussion
Who's Online 1
Today's Birthdays
Comments
What happens if the original guitars turn up with the same numbers as the Baraults?
Good question. As far as I know these were numbered according to gaps in the records - see the F. Charle book - but how accurate were those records? One has to ask, if these numbers were missing from the note books where they kept sales records recording customers names through to # 858 there must be a reason why some were not entered. There are many gaps in the lists, description of model, build date, shipping date and customer's name, in many cases only partial information, but why allocate numbers at all if some were then skipped past?
Or to put it another way, does anyone know if any numbered Selmers not on the list and previously thought to be non-existant have been discovered?