Buco, yeah I know what you mean. Like the fret slots. But actually a lot of eyeball shaping goes on if you don't have a CNC like the neck profile especially.
That cracked me up, when he started slotting for the frets. I was like "wait, that's it!?" haha. These flattops he built, as in literally flattops, actually sounds good amplified. And they intonate too. Acoustically they're like silent practice guitar. Very unique.
Comments
He eyeballs almost everything.
I liked his non-stick ultra-flexible long rubber clamping strip. That would work well for cranking in wooden bindings nice and tight during glue day.
Also, the guy 👍 uses the same headstock scarf joint as I do- it works well structurally (including on much higher-tension instruments).
Gouch. Yeah I've heard of people using the rubber band thing for binding.
Buco. That's what I was thinking but I'm sure there is a lot of measuring/analysis we don't see. That said, you can do a lot by eye.
Maybe eyeballing isn't the right word...more like absence of jigs, lots of freehanded work.
Buco, yeah I know what you mean. Like the fret slots. But actually a lot of eyeball shaping goes on if you don't have a CNC like the neck profile especially.
That cracked me up, when he started slotting for the frets. I was like "wait, that's it!?" haha. These flattops he built, as in literally flattops, actually sounds good amplified. And they intonate too. Acoustically they're like silent practice guitar. Very unique.