DjangoBooks.com
Welcome to our Community!
Categories
- 18.2K All Categories
- 447 General
- 287 Welcome
- 11 Archtop Eddy's Corner
- 82 CD, DVD, and Concert Reviews
- 39 FAQ
- 9 Gypsy Jazz Italia
- 19 Photos
- 27 Gypsy Picking
- 4 Unaccompanied Django
- 4 Pearl Django Play-Along Vol.1
- 1 Gypsy Fire
- 26 Gypsy Rhythm
- 606 Gypsy Jazz University - Get Educated
- 117 Gypsy Jazz 101
- 192 Repertoire
- 144 History
- 96 Technique
- 40 Licks and Patterns
- Daniel Givone Manouche Guitare Method Users Group
- 17 Eddie Lang Club
- 1.1K Gypsy Jazz Gear
- 701 Guitars, Strings, Picks, Amps, Pickups and Other Accessories
- 353 Classifieds
- 41 Recording
- 39 Other Instruments
- 17 Violin
- 3 Mandolin
- 6 Accordion
- 3 Bass
- 10 Woodwinds
- 223 Gypsy Jazz Events
- 87 North America
- 87 Europe
- 49 International
In this Discussion
Who's Online 0
Today's Birthdays
Amati Schmitt's f-hole guitar
pdg
✭✭
Anyone know what f-hole guitar Amati Schmitt is playing in this and other videos? Sounds great (of course it's the player, but . . . .). Any chance it's Leo Eimers' "Amati" model?
Comments
I think I've read it's a Rodrigo Shopis. I don't know the exact model.
I don't know the answer, but suspect rudolfochrist is correct. Here's an old thread that shows him playing another Shopis model (petite bouche).
Just looking at the guitars, I see the unique inlay both above the nut and the half-moon below the 0 fret as well being present on the OPs guitars. Plus the tailpiece looks the same on the Baroette as on this F-hole. Not definitive proof, but I'd say good enough for me. I don't see any of those features on the Eimers model.
It is a Shopis. I've been in love with that guitar since I first saw it.
Totally unrelated but wow, Amati's got fantastic technique - no wasted motion at all
No kidding!
Does anyone have a grille they can share for Miro Django?
Cheers Phil
More or less.....I'm not great at IReal charts, but it was good practice.
Thanks!!🙂
To my ear, the second bar is Em. At least I think the bass is playing E note. Although in the second A section I like how G is pushing the harmony forward. I'd probably play it like that if I were to play it with the band. Also in the first ending, even though C#7 is correct, Fdim harmony sounds nicer to me.
nice Buco! I think you are right about the Em, I'm playing an Em6 voicing (G in the Bass voicing) and thinking of it as G6. It's fun how you can grow a larger awareness of the song by trying to figure it out yourself and listening to bass notes and elements of melody to further suggest harmony.
I might edit the pdf above after playing thru it a couple times