DjangoBooks.com
Welcome to our Community!
Categories
- 18.1K All Categories
- 440 General
- 281 Welcome
- 11 Archtop Eddy's Corner
- 82 CD, DVD, and Concert Reviews
- 38 FAQ
- 9 Gypsy Jazz Italia
- 19 Photos
- 25 Gypsy Picking
- 4 Unaccompanied Django
- 4 Pearl Django Play-Along Vol.1
- 1 Gypsy Fire
- 25 Gypsy Rhythm
- 603 Gypsy Jazz University - Get Educated
- 117 Gypsy Jazz 101
- 190 Repertoire
- 143 History
- 96 Technique
- 40 Licks and Patterns
- Daniel Givone Manouche Guitare Method Users Group
- 17 Eddie Lang Club
- 1.1K Gypsy Jazz Gear
- 692 Guitars, Strings, Picks, Amps, Pickups and Other Accessories
- 344 Classifieds
- 39 Recording
- 39 Other Instruments
- 17 Violin
- 3 Mandolin
- 6 Accordion
- 3 Bass
- 10 Woodwinds
- 223 Gypsy Jazz Events
- 87 North America
- 87 Europe
- 49 International
In this Discussion
Who's Online 0
Today's Birthdays
Comments
I recently looked for some good versions of "I Can't Give You Anything But Love" for inspiration and came across this version by Albanie Falletta.
It has a really nice mood, and our singer was inspired by this.
And there is Marion Lenfant-Preus:
Eh, who cares. Play music - if you can hang, hang out!
Stumbled over this refreshing version of a romanian hora several weeks ago.
I like Lu Golovina's tone, her melodious solo playing, her violinist, and the whole recording with her (new?) quartet. Only two little bleatings: I think the rhythm player overslept the break after the intro, and the title is "Hora Lautareasca".
This is the same tune , recorded by pan flute virtuoso Gheorghe Zamfir years ago:
Ladies now come to Django in June in much bigger numbers, on every instrument.
To be fair, this is an issue that isn't restricted to either gypsy jazz or the guitar, it's an endemic feature of jazz especially on the amateur scene. I play in several regular jazz jams and I'd say on the whole that the gender diversity in the gypsy jazz jams, though not great, is way above the straight ahead jams I play in. We have female guitarists, clarinet players, double bassists and singers in the two gypsy jazz jams I go to, all brilliant. The main straight ahead jazz jams are often only men and when we do have women join us it is typically either as singers or on keys, so I'd say that mainstream jazz is for some reason much more unwelcoming and conservative.
You know, when this thread started, I thought of a local player, and asked another common friend if he thought she would mind having a video with her posted here. He replied saying as far as he knows her, she would hate being a part of "women in jazz" shout-outs. So there's that perspective too.
Here in bonnie Scotland we're lucky enough to have a number of players of the female variety however they tend to be violinists and bassists. Very few guitarists, which is a shame. I suspect that the testosterone filled atmosphere of the jam sessions might have something to do with it.
Maybe it's just me but even I find the jam sessions to be a struggle with others at times to the detriment of the music. Most of the women that I know in this world are, successfully I might add, part of small. established working groups and conrtibute massively to the success of these bands.
Feel free to disagree.
It's about the same ratio of female guitar players for every other genre. Except for the classical guitar, where there is a much more even ratio. Thinking about it, for me YT might even recommend more female classical guitar. So it's a result of global culture, the ridiculous "guitar isn't a girl instrument" notion. Luckily there are some who said to hell with that or have supportive families and there are world class players among females in gypsy jazz, jazz, blues, heavy metal, bluegrass, acoustic fingerstyle etc...
Did you all hear about Grace Bowers? 17 year old, plays blues rock mostly (could play anything obviously), has an insanely good tone, expression and virtuosity.