@richter4208 It changes to C when the head comes in.
Actually I always assumed it was a little joke, because it changes double time feel, and it modulates- like the song is 'undecided' about the key and the tempo.
Beryl Davis' half-time vocal--and the Hot Club's accompaniment--is inspired by Ella Fitzgerald's with Chick Webb. There's also a chunk of the John Kirby/Onyx Club Boys arrangement in the HC opening. It's all run through the QHCF blender, of course, particularly Django's intro and his and Grappelli's fills during Beryl's vocals. And Steph's solo is as hot as one could want.
On edit: I'd forgotten that the Dandridge Sisters also had a recording that uses the half-time trick--and according to the YouTube info, it was made in England in 1939, where they were touring.
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@richter4208 It changes to C when the head comes in.
Actually I always assumed it was a little joke, because it changes double time feel, and it modulates- like the song is 'undecided' about the key and the tempo.
@Wim, not as familiar with this Django classic as I should be! Edited my post
Found on soundslice:
And another one with a bit more hand holding
https://www.soundslice.com/slices/xG8fc/
Beryl Davis' half-time vocal--and the Hot Club's accompaniment--is inspired by Ella Fitzgerald's with Chick Webb. There's also a chunk of the John Kirby/Onyx Club Boys arrangement in the HC opening. It's all run through the QHCF blender, of course, particularly Django's intro and his and Grappelli's fills during Beryl's vocals. And Steph's solo is as hot as one could want.
On edit: I'd forgotten that the Dandridge Sisters also had a recording that uses the half-time trick--and according to the YouTube info, it was made in England in 1939, where they were touring.
Thanks for the replies... good to know my ears weren't deceiving me!
Wow, added to my practice list.