There were two takes with the HCQ on 22nd March 1939 and a single take on the 17th May 1939. Never 3 takes at the same session. Also one with Michael Warlop and a solo version both in 1937. Which one do you mean and why?
OP, that's definitely a hot take. My favorite Django solo outside of the usual suspects will always be his playing on HCQ Strut - just love his phrasing so much, gets hypnotic:
Yeah, the vibe, the emotion. It’s just been striking me lately how beautiful it is. Has a quality you can’t explain, transcending style or technique. We all have Django recordings like that that just feel personal on a level that seems impossible to explain. Thought it might be nice to have a post about that, see if people chime in.
During that period Django played some beautifully restrained, inventive and melodic solos in a way that still remains uniquely his. The tone of his guitar was often quite incredibly pure.
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There were two takes with the HCQ on 22nd March 1939 and a single take on the 17th May 1939. Never 3 takes at the same session. Also one with Michael Warlop and a solo version both in 1937. Which one do you mean and why?
youtube.com/user/TheTeddyDupont
Have you tried typing tea for two take 3 into YouTube?
That's the single take recording from 17th May 1939.
youtube.com/user/TheTeddyDupont
OP, that's definitely a hot take. My favorite Django solo outside of the usual suspects will always be his playing on HCQ Strut - just love his phrasing so much, gets hypnotic:
https://www.youtube.com/watch?v=R3wVoCLPMvY
Thanks, I didn’t know that. I didn’t label it as take 3, figured that was the way people would know which one I meant
No joke!
@Tydides Anything specific you like about this version that makes you like it above the others? Or is it just a vibe?
Yeah, the vibe, the emotion. It’s just been striking me lately how beautiful it is. Has a quality you can’t explain, transcending style or technique. We all have Django recordings like that that just feel personal on a level that seems impossible to explain. Thought it might be nice to have a post about that, see if people chime in.
During that period Django played some beautifully restrained, inventive and melodic solos in a way that still remains uniquely his. The tone of his guitar was often quite incredibly pure.
youtube.com/user/TheTeddyDupont
Not to go off topic, but I love this version of te para tres https://www.youtube.com/watch?v=envLS0m79cw