I haven't gotten my hands on many Duponts (they're scarce in Salt Lake City, believe me). Are the new ones thought to be as good as the older examples? I believe that Dupont expanded from a 1 builder shop quite some time ago, and I suppose the quality may be different now? I see that R F Charle no longer carry them, but I'm not sure why.... Specifically I would be most interested in the MD-50.
Charlie
Comments
Cheers,
Josh
Charlie
-Paul
I bought a Dupont MDC-50 (the 14 fret D-hole version) of the MD-50... and it blows me away. I honestly would never want another guitar. I played an identical version of the guitar a few months before I bought it (from Jacques Mazzoleni) when Barry and Rich from Hot Club of Philly were visiting NY... Rich was generous enough to let me play the guitar through the whole night, trading with me and I fell in love with it.
I was lucky enough to be able to drive to Jacques' place in Baltimore and try out a dozen or more guitars... including a Selmer, a Busato, 2 Favinos, a few Hodsons, and four Dupont's including a Vielle Reserve (which I couldn't afford but to my ears was no better or worse than the other Duponts, which were consistantly well-made and lovely sounding.) I think the craftsmanship is amazing and the sound can't be beat. It is the lightest guitar I have ever played as well, with a very thin top. The only other guitars I have ever played that come close, for me, are a couple of vintage Favino's and Rodrigo Shopis's guitars, which in my opinion are SUPERB also.
The deal with Maurice Dupont is that he is a little crazy and particularly French---a potent combination. He alienates a lot of people. His previous American dealer broke off with him after many years. He won't answer emails but his wife does after a time. He doesn't produce that many models per year and in my opionion just does as he pleases. Jacques has confirmed much of this. If you want a Dupont, Jacques is a good guy to deal with and he knows a lot about these instruments.
-Chappie
I've been to his workshop in Cognac, which looks like any other house along a canal in a residential neighborhood except that the carport is stacked to the ceiling with wood. MD is a big guy for a Frenchman, he's intense and clearly he's a man who was born to build guitars. He had 6 or 8 people working there and they make all kinds of things in the shop - when I was there they were finishing up a batch of Weissenborn style lap guitars and a batch of sunburst Les Paul copies. Plus they were roughing out cello tops on a CNC machine for someone else. The shop was pretty orderly - it looked like a good place to work. His business office did seem to be kind of disorganized - not all that unusual among craftsmen.
There is an excellent article about Bill Collings in Fretboad Journal this quarter - Maurice Dupont and Bill Collings appear to be a lot alike in their approach to building guitars in the small factory environment. Similar types of guys, too - maybe that's why both are so successful at building guitars.
Regards
Scot
Chappie
Charlie
Charlie