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Most common outros?

BluesBop HarryBluesBop Harry Mexico city, MexicoVirtuoso
edited December 2006 in Licks and Patterns Posts: 1,379
Hi all,
I`m starting a Gypsy jazz band, and we have already learned quite a lot of tunes but we seem to be repeating the endings.
Could some of you share the outros you know? Im especially interested in the rhythm guitar parts, and I already know the chromatic ending used on tunes like Minor swing, Daphne, etc.
Thanks.

Comments

  • Posts: 145
    Here are some ideas:

    -same thing as intro
    -vamp
    -fade out
    -ritard
    -cadenza
    -tag (always 3x)
    -tag and sequence by whole tones
    -tag and sequence by m3rd
    -basie endings
    -ellington endings
  • JackJack western Massachusetts✭✭✭✭
    Posts: 1,752
    A fairly common ending, here in G; the rhythm isn't notated below but it's 2 bars and starts with a rest:

    ------5----6--5---5--4--5------------------------------------
    ------5----6--5---5--4--5------------------------------------
    ------4----6--5---4--3--4------------------------------------
    ------5----5--4---5--4--5------------------------------------
    ------5----6--5---5--4--5----------------------------------
    ------3------------3--2--3---------------------------------

    For a corny tag-on:
    ----------------------------------------------------------9-----
    ----------------------------------------------------------10-----
    -------------4-7-5-4-5-6-5-6-7-5-4--------------------9-----
    ------5--------------------------------5----4-5----------9-----
    ------------------------------------------5--------------10-------
    -----------------------------------------------------------------
    then it's whammy time.

    More and more my band has been using different segues and vamps to transition between tunes. Sometimes those sections allow a lot more experimentation than the tunes themselves, and people really seem to enjoy that.

    If I remember later I'll put up the ending I've been using on Cherokee lately...basically, after the last A section, you'd just repeat it up a half step, then repeat it again up another half (Bb to B to C). As the C version winds down it moves into a series of descending ii-Vs, modulating back to Bb:

    Two beats each:
    [code]-------------------------------------------------------
    --6-5-4-3--5-4-3-2---4-3-2--1------3--------------
    --5-5-4-4--4-4-3-3---3-3-2--2------3--------------
    --3-3-3-3--2-2-2-2---1-1-1--1------3--------------
    --5-5-4----4-4-3-----3-3-2---------3---------------
    --------3--------2----------1-----------------------[/code]

    Best,
    Jack.
  • BluesBop HarryBluesBop Harry Mexico city, MexicoVirtuoso
    Posts: 1,379
    Thanx!!!
    I`ve borrowed Jack`s idea from a previous post about calling the ends by number (chromatic is 1). Maybe we could establish a system among us for ending tunes at jams.
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