DjangoBooks.com
Welcome to our Community!
Categories
- 18.2K All Categories
- 447 General
- 287 Welcome
- 11 Archtop Eddy's Corner
- 82 CD, DVD, and Concert Reviews
- 39 FAQ
- 9 Gypsy Jazz Italia
- 19 Photos
- 27 Gypsy Picking
- 4 Unaccompanied Django
- 4 Pearl Django Play-Along Vol.1
- 1 Gypsy Fire
- 26 Gypsy Rhythm
- 608 Gypsy Jazz University - Get Educated
- 117 Gypsy Jazz 101
- 192 Repertoire
- 144 History
- 98 Technique
- 40 Licks and Patterns
- Daniel Givone Manouche Guitare Method Users Group
- 17 Eddie Lang Club
- 1.1K Gypsy Jazz Gear
- 702 Guitars, Strings, Picks, Amps, Pickups and Other Accessories
- 354 Classifieds
- 41 Recording
- 39 Other Instruments
- 17 Violin
- 3 Mandolin
- 6 Accordion
- 3 Bass
- 10 Woodwinds
- 223 Gypsy Jazz Events
- 87 North America
- 87 Europe
- 49 International
In this Discussion
Who's Online 0
Today's Birthdays
Comments
and i can say it is very loud,and has a great balance and tone.
The resonator compensates for the too big soundhole and gives the guitar that old singing sound.I had several d-holes without resonator (Ibanez,moustache) and thay where only loud till a few feat away,then the sound was gone,also very uneven especailly the low B note.
With the resonator the sound projects really far.
I love that sound.making a second one now.
Once it is ready i will post it on facebook.
I think Django picked the ovalhole for the longer scale and 14 frets and he could pick any guitar he wanted.
Rino
I'd love to hear that guitar, Rino.
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."