DjangoBooks.com
Welcome to our Community!
Categories
- 17.9K All Categories
- 394 General
- 255 Welcome
- 10 Archtop Eddy's Corner
- 74 CD, DVD, and Concert Reviews
- 29 FAQ
- 9 Gypsy Jazz Italia
- 17 Photos
- 24 Gypsy Picking
- 3 Unaccompanied Django
- 1 Pearl Django Play-Along Vol.1
- 1 Gypsy Fire
- 21 Gypsy Rhythm
- 551 Gypsy Jazz University - Get Educated
- 104 Gypsy Jazz 101
- 175 Repertoire
- 128 History
- 88 Technique
- 39 Licks and Patterns
- Daniel Givone Manouche Guitare Method Users Group
- 17 Eddie Lang Club
- 997 Gypsy Jazz Gear
- 646 Guitars, Strings, Picks, Amps, Pickups and Other Accessories
- 315 Classifieds
- 36 Recording
- 38 Other Instruments
- 17 Violin
- 3 Mandolin
- 6 Accordion
- 3 Bass
- 9 Woodwinds
- 197 Gypsy Jazz Events
- 78 North America
- 81 Europe
- 38 International
Who's Online 1
Today's Birthdays
Manouche jazz model review
Azrel
DenverNew
I recently bought a manouche jazz model oval hole from Robert at manouche guitars in new mexico. He asked me to write a review on the guitar and I have agreed to do so.
I've had the guitar for a little over a month now and can say that I'm quite pleased with it. I think its a very responsive and fun guitar to play. I should mention that although I have been playing guitar for about 16 years I only started learning gypsy jazz about six months ago and my experience with these types of guitars is fairly limited. I have played a manouche orchestre (12 fret D hole model) a few dell artes in the 2,000-3,000 range and a D-500 which I have since realized had the wrong type of strings on it.
The manouche oval hole projects very well and is louder than the other gypsy guitars I have played. The intonation is solid up the neck and the instrument remains in tune for long periods of time. When compared to the orchestre model, I would say that the jazz has a somewhat colder,harsher tone but I saw this as a positve quality for this style of music. As I've continued to play the guitar I'm finding that the tone is improving and warming just a bit. I'm not sure if that's because the instrument is opening up or because my playing is improving. I also chose the jazz model over the orchestre because I found the neck and 14 frets free of the body to be more comfortable.
When I got this guitar i was also considering the Gitane 300 model. Ultimately I went with the manouche because I was able to play it before buying it and I thought it rocked. It would be interesting to compare this guitar both with a fixed up gitane and a luthier made guitar at some point. I should also mention that Robert at manouche guitars seems very dedicated to providing good service and I got the strong impression that if there was a problem with the guitar he would find a way to fix it.
If anyone has any more questions about the guitar let me know. When I was I was looking into which guitar to get I got some helpful advice from Michael Bauer( Hope I spelled your name correctly) but there wasn't a ton of information out there about Manouche guitars.
I've had the guitar for a little over a month now and can say that I'm quite pleased with it. I think its a very responsive and fun guitar to play. I should mention that although I have been playing guitar for about 16 years I only started learning gypsy jazz about six months ago and my experience with these types of guitars is fairly limited. I have played a manouche orchestre (12 fret D hole model) a few dell artes in the 2,000-3,000 range and a D-500 which I have since realized had the wrong type of strings on it.
The manouche oval hole projects very well and is louder than the other gypsy guitars I have played. The intonation is solid up the neck and the instrument remains in tune for long periods of time. When compared to the orchestre model, I would say that the jazz has a somewhat colder,harsher tone but I saw this as a positve quality for this style of music. As I've continued to play the guitar I'm finding that the tone is improving and warming just a bit. I'm not sure if that's because the instrument is opening up or because my playing is improving. I also chose the jazz model over the orchestre because I found the neck and 14 frets free of the body to be more comfortable.
When I got this guitar i was also considering the Gitane 300 model. Ultimately I went with the manouche because I was able to play it before buying it and I thought it rocked. It would be interesting to compare this guitar both with a fixed up gitane and a luthier made guitar at some point. I should also mention that Robert at manouche guitars seems very dedicated to providing good service and I got the strong impression that if there was a problem with the guitar he would find a way to fix it.
If anyone has any more questions about the guitar let me know. When I was I was looking into which guitar to get I got some helpful advice from Michael Bauer( Hope I spelled your name correctly) but there wasn't a ton of information out there about Manouche guitars.
