I'm very new to GJ and I am working through Gypsy Rhythm and Denis Chang's DVD. I'd love to hear any thoughts you have on what's right/wrong with my fledgling pompe.
I'd say you're really forcing it too much....it sounds very heavy and doesn't really swing.
Try brushing the strings more with the pick. You need to try and get a lighter "swooshing" sound to your rhythm. Also work on making your upstroke faster....it's too slow and sounds very gallop like.
When you say to try brushing the strings more, do you mean alter the pick angle or just not be so heavy handed? or both?
Also, would you (or anyone else) please comment on the body/wrist positioning? I have watched a lot of the videos on the site and am trying to emulate that and remain relaxed...
Hey man, in regards to body position, wrist, etc, etc... Just a quick thing I noticed... I think you're playing too much with your arm. I see a lot of elbow movement. Try to keep the your strumming movements limited to the wrist area. This was the hardest thing for me to get down. But once I did it helped my playing tremendously (since you use less energy this way). That's all. Keep it up!
same comments as michael, but one thing that can possibly help with the 'swoosh' is to think of lighting a match, it's kinda the same movement, you're brushing the strings very fast so you don't hear pick noise (clack clack clack) but just a smooth swoosh... it helps to use a bit of flesh/nail as well from the index finger
oh ya "the los" is right about the forearm too, sometimes you can use the forearms for certain things or a certain effect, but it's better to get used to the wrist first...
btw i noticed you're doing the exercise fapy showed me hahaha i hope he doesn 't see this
I think I understand the wrist/shaking a match thing, but I'm a little confused about the role of the rest of my arm. In reading Gypsy Rhythm, I thought the arm was heavily involved in the downstroke. For example, in figure 9 in the book, it looks like the whole forearm is lifted up so the hand is level with the upper bout. Then in figure 11, the whole forearm is down so the fingers are almost even with the bottom of the guitar. Is this not the case when doing a full speed la pompe? Should I be trying to execute la pompe with mostly the wrist?
Comments
Try brushing the strings more with the pick. You need to try and get a lighter "swooshing" sound to your rhythm. Also work on making your upstroke faster....it's too slow and sounds very gallop like.
Good work though..keep at it!
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When you say to try brushing the strings more, do you mean alter the pick angle or just not be so heavy handed? or both?
Also, would you (or anyone else) please comment on the body/wrist positioning? I have watched a lot of the videos on the site and am trying to emulate that and remain relaxed...
Thanks,
peri
The more angle you put on the pick the more "swoosh" you'll get.
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www.denischang.com
www.dc-musicschool.com
btw i noticed you're doing the exercise fapy showed me hahaha i hope he doesn 't see this
www.denischang.com
www.dc-musicschool.com
I think I understand the wrist/shaking a match thing, but I'm a little confused about the role of the rest of my arm. In reading Gypsy Rhythm, I thought the arm was heavily involved in the downstroke. For example, in figure 9 in the book, it looks like the whole forearm is lifted up so the hand is level with the upper bout. Then in figure 11, the whole forearm is down so the fingers are almost even with the bottom of the guitar. Is this not the case when doing a full speed la pompe? Should I be trying to execute la pompe with mostly the wrist?