the first 3 chords in the bridge of dinah, it also crops up in montagne sainte-genevieve.
Em / EmΔ / Em7
the cosimini book suggested voicings with lots of open strings but that doesn't sound nice to my ears when played a la pompe. i'm looking for some chunkier sounding chords anyone have a good way to voice this?
also if you play these chords as majors you have the start of strawberry fields forever
Comments
x7988x
x7978x
or
xx545x
xx544x
xx543x
There are others.
That minor line cliche also shows up at the beginning of Stairway to Heaven (in a different position), and can also be used in My Funny Valentine, Blue Skies, one of the sections of Oye Como Va, or as a sub for any static minor chord over several measures.
Gypsy
Rhythm, Volume 1
I use sometime when play just with other gutarist (in waltz for example):
Em - Emmaj7 - Em7 - Em6
X754XX
X654XX
X554(5)X
X454(5)X
Here is the voice in the bass.
In case anyone else is confused by that tab, the 1st to 6th refers to the strings, not the note...it's the reverse of the usual tab...
best,
Jack.
I play an all-fourths tuned axe but maybe you can adopt the following chords to standard tuning (lower top voice of first three chords by one fret). I drop the E root in the bass and play:
3x244x
3x243x
3x242x
5456xx
The top voice does the chromatic descent, which I like, and the 6th string gets played, which I also like. Packed with crunchy goodness?
Em EmM7 Em7 Em6 Em7 A7
7x59xx
7x58xx
7x57xx
7x56xx
7x57xx
5x56xx
My favorite:
[x7998x] Em
[x6757x] Eb o7
[x5545x] Em7
[x4545x] Em6
The line cliche is found in the bass notes, sounds great.
@Avalon I play in straight fourths too, I've never met anyone else in this style who does so - where are you based?
@Wim Glenn I am in San Francisco. And you?