first post. been lurking for quite a while. own 2 carved top & back luthier made archtops. the gitane D-500 is my first and only GJ guitar at this point. i've not had a chance to sample other luthier made GJ guitars, but i do like this one a lot. So! has anyone had success removing the finsh (what i'm projecting to be polyurethane-not lacquer) from a gitane d-500 (or other gitane model) and reapplying either a french polish or a thin coat of nitrocellulose lacquer? if so, were chemicals used to remove the finish, or sandpaper? reasons for doing this would be (1) improving the sound by freeing up the top & back to vibrate more freely & (2) changing the appearance of both the spruce top as well as the back & sides, possibly going with pretty much a clear coat (for that contemporary look), or the flip side would be something similar to the "cognac amber" finish of the Dupont MC-50 from "Sweet & Lowdown". if so, how well & easy did the original finish come off, and were the results what you were hoping to achieve? any advice, pros & cons, and recommendations are greatly appreciated.
thanks,
ron
Comments
First off, welcome to the forum!
You'll find a lot of valuable info here.
I refinished a DG255 with super results.
I purchased a refinishing kit including a book from Stew Mac.
Here is a link to the on line catalog, however I don't see the "kit".
I bet it is in their hard catalog though.
Email them for a catalog and inquire if the kit is still available.
http://www.stewmac.com/shop/Finishing_supplies.html
Here are some photo's of my "FrankenSelmer"
http://entertainment.webshots.com/album/559468021eAdjEz
Good luck, and if you have any questions pm me.
Here are some before and after pictures. The finish is actually darker and browner than the camera was able to capture...it really did turn out quite beautifully. And the sound...the guitar was able to really open up.
Really, a great looking guitar, nice job. How's the GJ scene in your area?
Unfortunately, JazzDawg, it's nearly non-existant. I'm beginning to believe I'm the only person in Kansas that has even heard of Django, besides you of course . Regardless, I do play Selmer style instruments but I wouldn't consider myself a Gypsy Jazz guitarist. Whenever I get a chance to gig I play a variety of Peter Brotzmann, Django, Ornette Coleman, Roland Kirk, etc. I'm actually more into Free Jazz and the Avant Garde scene...and higly influenced more by Sax players than guitar players. However, I've been in love with Selmer guitars for years, and I find they actually work quite well with these styles.
http://www.jillmartinisoiree.com