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Top stress

A little concerned here. I have shimmed the bridge on my DG-300 to eliminate any buzzing, but I'm worried that this may be putting too much pressure on the top causing it to loose it's dome. It does seem to have flattened out a bit (in the bridge area). When I got the guitar, it had no shims, of course, but the strings from the third on down had some buzzing.....hence the shims. I'm using Argies 11's. I keep this guitar and all my solid wood guitars in a humidified display case which does a good job of maintaining ~40-50% RH. I have not messed with the truss rod on this guitar (mainly because of its awkward location). It just seems like the guitar had a much more pronounced dome when I first got it. Am I worrying needlessly? I'm wondering if I should kick the shims out and try adjusting the truss rod.

Thanks,
Tom
Why do they call it a rest stroke......I get tired every time I try playing like that.

Comments

  • fraterfrater Prodigy
    Posts: 763
    I'm no expert but the guy on the pic looks quite happy with his shims...
    Vebjørn
  • blindjimmyblindjimmy phoenix,az✭✭✭✭
    Posts: 119
    hi. i bought a replacemant bridge from this website, from josh, and it made a huge difference in the sound of my dg300. i cant say enough good things about the improvement !
    shut up and play your guitar
  • TomThumbsTomThumbs NebraskaNew
    Posts: 68
    Lol, I know what you're saying. Ok, I'll just play the darn thing and quit worrying. Now, if only I had a cool scarf.
    And yes, I have drug my feet on getting a new bridge from Josh, but I think it's time.
    Thanks,
    Tom
    Why do they call it a rest stroke......I get tired every time I try playing like that.
  • Bob HoloBob Holo Moderator
    Posts: 1,252
    It's hard to tell arch by looking - harder than you'd think - or at least to say that it's deceptive... I've thought guitars looked high or low and measured them with a spanner only to find that they were spot on... vision is a funny thing - the way our brain works, our vision is really affected by the amount of light in the room, the colors of adjacent objects and the size/shape of objects in peripheral vision... lots of good optical illusions come from this sort of thing but I digress ;-) A better way to spot sinking (other than fairly drastic changes in playability) is that if it's sinking you'll generally see some signs of weirdness/puckering around the soundhole rim or other odd deformations on the soundboard. Look at the soundboard in a 'raking' light (light is at a steep angle - like you're trying to see reflections on water) The topology of the top should be fairly consistent. You may see the outlines of some braces - they tend to telegraph through tops, but the overall impression of the top should be fairly smooth - maybe a little tucked in at the waist but smooth other than that.

    About action & pressure: In general, if you take a GJ guitar up much past about 3.2mm you start to run into significant intonation problems from string stretching - and that's still a bit south of where you'd need to be to put too much pressure on the top with 11s. So, if the guitar is unaltered (braces not trimmed) and in good condition (no catastrophic repairs that may be slipping etc.) you should be fine with an action of between 2.5mm and 3.2mm. Don't sweat the truss rod. All it does is alter the curve of the fretboard between the ~2nd and ~10th frets. If you fret at the 1st and 12th frets and you can pluck the string (in other words, the neck is not backbowed - pinning the string to the frets between) you're probably fine on truss rod adjustments. Too much bow in a neck and all of a sudden your guitar will start to act like you have a bump over the neck join. Any more than a couple thousanths of an inch of truss-rod induced relief and you actually start causing problems.
    You get one chance to enjoy this day, but if you're doing it right, that's enough.
  • TomThumbsTomThumbs NebraskaNew
    Posts: 68
    Thanks for the info, Bob.
    I got concerned because having flared the ends of the stock bridge as I had read in a thread here, plus having it now sit higher on shims (and assuming therefore more downward pressure on the top) that I had focused the downward pressure in a smaller area than originally covered by the bridge in its stock configuration. Probably just convinced myself that the top was depressed in the area of the bridge. I knew it couldn't be because of a lack of moisture in the wood as all my guitars live the life of Riley in their climate controlled case.
    Anyway, I'll keep an eye on it, but for now, I'll chalk it up to having something new and being a little too nervous about its condition. Really like this guitar. I would throw my Taylor in front of a bus to save my JJ DG-300.

    Tom
    Why do they call it a rest stroke......I get tired every time I try playing like that.
  • Bob HoloBob Holo Moderator
    Posts: 1,252
    Haha... well, caution is a good thing. Yep, there are little horizontal 5mm thick struts under the soundboard where that bridge sits - they'll spread that pressure so easing the bridge ends is fine.
    Gouch
    You get one chance to enjoy this day, but if you're doing it right, that's enough.
  • djangologydjangology Portland, OregonModerator
    edited November 2021 Posts: 1,024

    I bought an Eimers guitar, not knowing that the tailpiece shouldn't touch the top of the guitar at all, and was scammed by the seller. To be fair, of course, he says it was fine when he sold it to me, but he is also the guy who had a reason to change the bridge. I should have probed more on that question. It just didn't occur to me that a bridge change can be a sign of a problem.

    So, just wanted to share this info so nobody else falls prey. Basically 2 things:

    1. Anytime you see the original bridge swapped out, ask yourself "why" did they do that.
    2. Check the dome. 2 issues can exist: 1) Ask if the tailpiece touches the guitar top AT ALL, a sign of buckling. and 2) is the top sinking right behind the sound hole?

    These are things that perhaps could have been on a general "buying checklist", if such a thing existed.

    wimBillDaCostaWilliams
  • jaredjared New
    Posts: 32

    Where is the tailpiece touching the top on your guitar? Hard to see from the pictures in that link.

  • GouchGouch FennarioNew ALD Originale D, Zentech Proto, ‘50 D28
    Posts: 122

    A small-footprint shaved-to-paper-thin beveled shim that sits under the treble bridge foot (there’s a brace beneath it) is fine, I’ve seen it, use one myself, have made them for other players. If you want to be extra niche-y about it, you can use the same wood as the bridge is made from (which I did). Or, just shim with a thin pick (cheap, available everywhere, flexes, won’t cause any finish or acoustic harm).

    Fwiw worth, my ALD guitar is super-stable but I can hear little-noisy changes during the cold/dry months on the B and G strings, or during shoulder seasons when playing outside. Ergo, I shim…but just a little tiny bit sometimes. (If anybody didn’t already know, in the Midwest North US, we have gigantic temperature and humidity swings, this year 130F difference from coldest to hottest, so far in 2021)

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