I'm playing Blues En Mineur, in G minor, and I'm not sure how of the best way to pick the Cm6 arpeggio starting on bar 5. This is the fingering I'm using:
[code]
-3------------------------------------3-4-5-6---
---4-1---------------------------1-4------------
--------2-0-----------------0-2-----------------
-------------1------------1-------------------
---------------3-0---0-3------------------------
--------------------3------------------------
[/code]
Starting on the e-flat (fret 4, beat 3), everything is triplets. If I try to have a downstroke on every beat, as well as string changes, that means just about the entire descending run is downstrokes. How does everyone else play this? Is there an alternative fingering that allows for downbeats to fall on the string changes or something? With this fingering, I just play a ds on the string changes with otherwise simple alternate picking.
Comments
[code]
D D U D U D D U D D U D D U D U D U D D
-3------------------------------------3-4-5-6---
---4-1---------------------------1-4------------
--------2-0-----------------0-2-----------------
-------------1------------1-------------------
---------------3-0---0-3------------------------
--------------------3------------------------
[/code]
i think you could also start this lick with an upstroke especially if the 2nd note of the sequence was the first beat of the bar.
www.denischang.com
www.dc-musicschool.com
[code]
-543-------------------------------3-4-5-6---
--- 4----------------------------4------------
-------5-2------------------ 2-5-----------------
------------5-1----------1-5-------------------
---------------3-------3----------------------
-----------------5-3-5----------------------
[/code]
Mike
if it starts with just that one note, then you should start it with an upstroke as it 's on a weak beat and doesn't require an accent...
you can also change the fingerings like marciero if you want...
www.denischang.com
www.dc-musicschool.com
[code]
-543-----------------------------------------
--- 4--------------------------------8-9-10-11-----
-------5-2-----------------------5-8----------------
------------5----------------5-7-------------------
---------------6-3-------3-6---------------------
-------------------5-3-5----------------------
[/code]
No idea why.
i have to add this "tag" for the end of the song, from Stephane Wrembels rhythm track:
[code]---------------------------------------
---------------------------------------
--3-4-5-6-5------3-4-5--------------
--------------5-6---------2-3-3------
--3-4-5-6-5------3-4-5--------------
--------------5-6---------2-3-3------[/code]
and the intro?? this is not necessarily correct. there are 2 guitars and it could go various ways:
[code]---------------------------------------
---------------------------------------
----------------------------------------
-----------------------------------------
--------6-5-3-------------6-5-3--------
-3-6-5--------6-5-3-6-5--------6-5-6--[/code]
[code]--------------------------------
--------------------------------
--------------------------------
------5-3----------------------
-5-3-----6-5-3-5--6-5--------
----------------------0-2-3----[/code]
And a standard Gm6->D7 Tchavalo style lick I use:
[code]-8-7-6------------------------------
--------8-5-------------------------
-------------7-6-5------------------
--------------------8-5--------------
-------------------------7-6-5-4-5--
--------------------------------------[/code]
and the intro?? this is not necessarily correct. there are 2 guitars and it could go various ways:
[code]---------------------------------------
---------------------------------------
----------------------------------------
-----------------------------------------
--------6-5-3-------------6-5-3--------
-3-6-5--------6-5-3-6-5--------6-5-6--[/code]
[code]--------------------------------
--------------------------------
--------------------------------
------5-3----------------------
-5-3-----6-5-3-5--6-5--------
----------------------0-2-3----[/code][/quote]
I often use a similar one:
[code]---------------------------------------
---------------------------------------
----------------------------------------
-----------------------------------------
--------6-5-3-------------6-5-3--------
-3-6-5--------6-5-3-6-5--------6-5-6--[/code]
[code]--------------------------------
--------------------------------
--------------------------------
------5-3----------------------
-5-3-----6-5-3------5-3--5-5-------
-----------------6------------2-3----[/code]
You kind of slide into the second to last D...it's hard to notate here...anyway, the final note is the first note of the head (so the intro ends on the 1).
Another intro I like is the classic Am-Gm-C7-B7-Bb7 going to an A7b9 arpeggio. Listen below...
best,
Jack.