Two different tunes by Django were released as
Folie à Amphion in 1947. Max Robin's and Jean-Phillippe Watremez' book on Djangos compositions (
The Ultimate Django's Book) says the correct title for the first one should have been
Stop, but it got named wrongly because of a mixup with disc cover bags or something...
Stop has been distributed as
Folie à amphion in numerous LPs and CDs, incl. classic double
Pêche à la mouche and Fremeaux'
Intégrale-series, so this finding must be fairly new. It has also been recorded by others as
Folie, so this title really has stuck.
I have no reason to question Robin's or Watremez' reliability on this matter - on the contrary. Also, Teddy Dupond states it in this thread:
viewtopic.php?t=4873
I still would like some more background data about this:
-When was it discovered and by whom, what the original title should have been?
-What evidence is this info based on?
And finally a quick survey:
If you were to record this tune, what would you print in the CD cover? Why?
Comments
This information must have emerged generally only quite recently as even Daniel Nevers got it wrong.
If you are recording the 6th July version, I would strongly suggest you call it "Stop". You could always add a qualifier something like "Stop (aka Folies à Amphion)".
youtube.com/user/TheTeddyDupont
I should have guessed Antonietto (it's maybe even mentioned somewhere in the book). The question still remains: where did this new evidence emerge from, if even he only recently found it.
And that's 1-0 for Stop.
http://www.jazzpartout.com