Hello all. i hope everyone is doing well in the world of gypsy jazz and beyond. i posted a new lick in Gmaj, and an improvised solo over Dinette.
I hope you enjoy.
-Maxwell
http://www.youtube.com/user/totsmarkopo ... Ll2IoYgf5Mhttp://www.youtube.com/user/totsmarkopo ... 5VjBW17_SM
Comments
Normally, I just think of the chord tones in different areas of the fingerboard... is the "three pairs" concept one that you frequently use, or did it just happen accidentally in this case?
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
even though you are playing the same exact 6 notes three times, since you are going up in register it creates movement that begs resolution. just think of it like diminished, how it just keeps going. its up to you to find the right place to resolve the run. and thats what makes it fun.
this type of pattern playing i learned from listening to joe pass and also steve howe of Yes.
i hope you find this useful in your playing!
-Maxwell
Well, thanks, Maxwell, I imagine I probably will spend some time trying to get something out of this approach, even though names like Joe Pass and Steve Howe may not inspire enthusiasm from many of our brethren here
I'm the kind of desperate character that, while truly preferring to steal musical gold from Django the King, is not above stealing stuff from the lower nobility such as Joe Pass and Steve Howe, especially if it what I like to call "low hanging fruit"...
Have you ever thought of doing a YouTube "three pairs of strings for dummies" kind of guitar lesson?
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."