A stiff top, overall strength but especially light and strong top and bracing. Top stiffness both with and against the grain so it acts as a unit rather than reacting one way north and south and differently (weaker) east and west.
I only say this cause I read this in luthiers writings, so I can't discount luck, other variables, magic or secrets.
"We need a radical redistribution of wealth and power" MLK
Construction aspects aside, damping or isolating the tailpiece goes a long way in taming overtones.
I just did some DIY work on my Dell Arte Pigalle, (Music Link). Its an Asian guitar. There have been a few fixes to cut down on "wet" tones on other threads here. On my guitar, notes that match up to notes on opens string have a sympathetic ring to them. Additionally, these notes are louder because of these overtones.
The notes that noticeably do this are mostly on the high E string. B at the 7th fret, D at the 10th fret, E at the 12th, G at the 13th and A at the 15th.
Some folks recommended stuffing cloth, which I did, or putting some cork under the tailpiece.
Today I took off the tailpiece pulled the red leather off and replaced it with some black felt carefully trimmed to fit the tailpiece profile. I got the felt at an art supply store. its about 2 millimeters thick and fairly stiff. I chose black but its available in about a dozen colors.
Anyway, this really dried up my guitar without killing overtones completely. The wet notes lost about 80%-90% of their ringing overtones. They also have a much more similar volume as other notes when playing normally. I thank the folks here whose recommendations that led me to the best, easiest and cheap solution to a common problem.
The black felt looks great too.
Now, if they made it in Lake Placid Blue or Sea Foam Green......
Comments
I only say this cause I read this in luthiers writings, so I can't discount luck, other variables, magic or secrets.
I wonder what is the range on neck angle. As I recall people have mentioned around 2.5 degrees.
Thanks for the replies
I just did some DIY work on my Dell Arte Pigalle, (Music Link). Its an Asian guitar. There have been a few fixes to cut down on "wet" tones on other threads here. On my guitar, notes that match up to notes on opens string have a sympathetic ring to them. Additionally, these notes are louder because of these overtones.
The notes that noticeably do this are mostly on the high E string. B at the 7th fret, D at the 10th fret, E at the 12th, G at the 13th and A at the 15th.
Some folks recommended stuffing cloth, which I did, or putting some cork under the tailpiece.
Today I took off the tailpiece pulled the red leather off and replaced it with some black felt carefully trimmed to fit the tailpiece profile. I got the felt at an art supply store. its about 2 millimeters thick and fairly stiff. I chose black but its available in about a dozen colors.
Anyway, this really dried up my guitar without killing overtones completely. The wet notes lost about 80%-90% of their ringing overtones. They also have a much more similar volume as other notes when playing normally. I thank the folks here whose recommendations that led me to the best, easiest and cheap solution to a common problem.
The black felt looks great too.
Now, if they made it in Lake Placid Blue or Sea Foam Green......
Best,