I started playing GJ last october. I've never had technical difficulties past understanding what to do while improvising, but I noticed one kinda big problem for me when I accompany GJ.
My hands are wayyy small.
I'm a 25 years old dude, I've mainly played electric guitars for about 7 years previously, and even though the standard Selmer replica guitars have pretty slim necks, I can't seem to be able to create full chords and include the thumb. There's no way for me to reach the top three strings with my remaining fingers AND fret the top E string with my thumb, without getting inflamed wrist tendons (happened once already right before Christmas).
Now, I modified all the thumb chords I know to exclude the thumb root, and just play the remaining notes. It doesn't seem to remove much, at least. I've also been considering buying Gypsy Rhythm, but it seems to focus a lot on thumb chords.
I guess my main question is: Will not being able to play thumb chords remove a lot of the function Gypsy Rhythm has for my learning, and am I generally screwed when it comes to gypsy accompaniment in general due to my small hands?
Comments
You might also uplaod a photo if you can, and maybe someone can recommend a more ergonomical fingering.
Good luck!
After years of playing, he has currently working through some hand and wrist issues.
He advised me to drop using thumb chords altogether. The theory is that repeated
use of the hand position needed for thumbing the bass note of chords can lead to
issues similar to what he is experiencing.
Clearly, Django had little choice but to use his thumb due to his left hand finger restrictions.
But if you have four working fingers, most people should be able to handle Gypsy chords, including
the bass note, with proper (i.e. classical) hand position.
Has anyone else heard about potential repetitive stress issues caused by long term use of
the thumb chord hand position?
Jimmy
<12>~~~~~
---0---1
<12>~~~~~
---0---1--4--5
<12>~~~~~
3--4
<12>~~~~~
4--5--4h5
-3
3---(DR)--
If one is playing thumb chords the lower the neck the more natural the hand position for thumb chords and the more unnatural for barre chords.
Having played a lot of classical guitar decades ago I am more comfortable with using a grand barre and to do that well I have to hold the neck higher than the usual GJ position. Eliminates much of the stress though.
Just got Wrembel's "Getting into Gypsy Jazz guitar", and it's amazing! Lots of arpeggio etude exercises, chord exercises, rhythmic exercises, chord inversions etc... all built on the changes of Minor swing or All of me!
Unlike metal, you can't just play through the changes and say "I can play that!", hahah. Internalizing all of this is going to take some time! The book has given me a few lightbulbs already, and I've only been trying it out for an hour or two!
Excellent!
L
What did cause a big problem was when I started learning jazz about fifteen years ago and tried to adopt a more classical position with the thumb planted on the back of the neck. Six months of that, and my thumb was killing me! It still bothers me a bit when I play regular jazz chords. Lo! and behold! I come to discover my thumb chords to be very much like the ones used by gypsy players, in some cases identical. What a relief!
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
.......http://www.musicianshealth.com/stretches.htm
Cheers, Rocky