Merci bien, Lemanouchebien! Comme vous etes gentil!
I've had a chance to play through about the first dozen pages, and so far I've only recognized one lick--- the bottom one on page three is the descending broken-octave lick Django used in the first chorus of "Georgia on my mind"... IIRC, Andreas Oberg might've included this lick in his "Gypsy Fire" book.
Anybody else had a chance to play through more of 'em yet?
Will
Niagara-On-The-Lake, ON
PS Sheet music for guitar always reminds me of this golden oldie---
Q: How do you get a guitar player to turn down?
A: Put some music in front of him!
Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Thank you Djuri, for the quick response!
The pdf was even more than I hoped for!
crookedpinkyGlasgow✭✭✭✭Alex Bishop D Hole, Altamira M & JWC D hole
Posts: 925
Great stuff, just one thing about the picture on the first page - I think it shows Eugene Vees on rhythm guitar. The guitar looks like Djangos Selmer but it has a 12 fret body join and the fret markers seem to be at 3,5,7, 9 and 12 rather than the expected 3,5,7,10 and 12.
Any thoughts anyone
always learning
klaatuNova ScotiaProdigyRodrigo Shopis D'Artagnan, 1950s Jacques Castelluccia
Great stuff, just one thing about the picture on the first page - I think it shows Eugene Vees on rhythm guitar. The guitar looks like Djangos Selmer but it has a 12 fret body join and the fret markers seem to be at 3,5,7, 9 and 12 rather than the expected 3,5,7,10 and 12.
Any thoughts anyone
Yes on Vees. As to the guitar, there were a number of "transitional" models produced by Selmer in the 1934-35 period after Maccaferri departed before they settled on the oval hole with 14 fret neck join and narrower neck. Many of them had oval holes and 12 fret neck joins. Francois Charles' Selmer book shows several on pp. 114-119, #447, #403, #348, & #547.
Why the 9th fret marker? Who knows, but there are a number of guitars in the book so configured, e.g., #097 (p. 80), #248 (p. 91), and #511 (p. 137), which has markers at 1,3,5,7,9,12, and 17. All of the concert harp guitars shown also have 9th fret markers.
Benny
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
crookedpinkyGlasgow✭✭✭✭Alex Bishop D Hole, Altamira M & JWC D hole
Posts: 925
I'll check "the" book later. I always thought there was only one type of tranisional model with the old Mac fingerboards bein used up. Thats the great thing about these guitars they keep throwing up these little queries, questions and anomalies.
Comments
Haven't had chance to play through it as yet, but it looks really interesting, many thanks for posting it.
Stu
thanks for sharing!
I've had a chance to play through about the first dozen pages, and so far I've only recognized one lick--- the bottom one on page three is the descending broken-octave lick Django used in the first chorus of "Georgia on my mind"... IIRC, Andreas Oberg might've included this lick in his "Gypsy Fire" book.
Anybody else had a chance to play through more of 'em yet?
Will
Niagara-On-The-Lake, ON
PS Sheet music for guitar always reminds me of this golden oldie---
Q: How do you get a guitar player to turn down?
A: Put some music in front of him!
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Could someone re-upload this 'Django Chord Bible' ?
Thank You ver much!
grt,
et voila:
http://www.speedyshare.com/files/304500 ... Django.pdf
The pdf was even more than I hoped for!
Any thoughts anyone
Why the 9th fret marker? Who knows, but there are a number of guitars in the book so configured, e.g., #097 (p. 80), #248 (p. 91), and #511 (p. 137), which has markers at 1,3,5,7,9,12, and 17. All of the concert harp guitars shown also have 9th fret markers.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Cheers
Alan