Comments

• BillDaCostaWilliams Barreiro, Portugal✭✭✭ Altamira M01F, Huttl, 8 mandolins

  August 2022 Posts: 654

  After 3 failed on my Mateos in 2016, I ended up investing in a Dupont DR Tailpiece - not the cheapest, but I have never had to worry again about the tailpiece.

  
• Buco NOVA, DCDeity Ivanovski maple/spruce

  August 2022 Posts: 5,032

  My thinking is whenever the tailpiece is doing something out of the ordinary, there's something else going on. Even the cheapest of them should do the job I believe if everything else is squared away.

  

  Every note wants to go somewhere-Kurt Rosenwinkel
• mac63000 Fox Island, WANew Geronimo Mateos Jazz B

  August 2022 Posts: 248

  Good point Buco, the tailpiece touching the top would suggest something more than flimsy metal since the arch of the top and angle of the bridge should be pulling the strings and tailpiece up, rather than towards the top of the guitar.
• daverepair Vermont, USANew Craig Bumgarner 'Selmer' style

  August 2022 Posts: 24

  The tip of the tailpiece, on both my friends Eastman, and the same model I previously owned, show the same curling downwards of the tailpiece tip. The Miller tailpiece on my Bumgarner guitar does not. Therefore I assume the tailpiece on the Eastmans is of a thinner, flimsier metal. I am a luthier: the two Eastmans do not exhibit ‘other things going on’ that would explain the bend in the tailpieces.
• Buco NOVA, DCDeity Ivanovski maple/spruce

  August 2022 Posts: 5,032

  For example on my guitar, when I pulled it out of the case after 5 weeks of being away, it was so over humidified to the point of top completely pushing against the tailpiece. Normally there's 1 mm gap. Tailpiece on my guitar is a solid piece of brass. After a couple of days outside of the case it's returning to where it usually is. It's just my experience that the tailpiece will follow the string pull. But that's a narrow experience and I certainly am not a luthier.

  I'd second Bill, a DR tailpiece will remove any doubt.

  Every note wants to go somewhere-Kurt Rosenwinkel
• daverepair Vermont, USANew Craig Bumgarner 'Selmer' style

  August 2022 Posts: 24

  https://www.djangobooks.com/forum/discussion/comment/111865#Comment_111865

  Buck, you make a good point: unlike a tailpiece on a carved top archtop, which has a hinge and can pivot, a Selmer style tailpiece does not. Which I now realize, means that in humid conditions, the top will move closer to the tailpiece. Hmmmm. Since my friend can’t keep his guitar at a lower humidity, I’ll see if I can maybe slightly bend the tailpiece upward, giving it clearance. If not, a replacement, with more angle and clearance may be needed. Thanks!

  
• daverepair Vermont, USANew Craig Bumgarner 'Selmer' style

  August 2022 Posts: 24

  I wrote ‘Buco’, but spellcheck had other ideas...

  
• Buco NOVA, DCDeity Ivanovski maple/spruce

  August 2022 Posts: 5,032

  A friend from Texas always called me Buck-oh. This nickname I carried to the states from the old country actually sounds like boots-o.

  Every note wants to go somewhere-Kurt Rosenwinkel
• ChrisMartin Shellharbour NSW Australia✭✭ Di Mauro x2, Petrarca, Genovesi, Burns, Kremona Zornitsa & Paul Beuscher resonator.

  August 2022 edited August 2022 Posts: 959

  Apart from the humidity and raised top theories there may be a simpler explanation.

  I attach a photo of how my Gitane copy does the same thing. Anyone who has worked on sheet metal would recognise the relative strengths and weaknesses of a plain stamped piece with and without swaging or stamped details. The standard design of these Selmer copy tailpieces has the wooden insert adding strength along the lower two-thirds where the wood is slotted and grips a straight flange. Then usually there is a stamped logo, in this case the stylised 'S' in a circle, between the string posts, this adds some extra strength to the brass(?) in that area.

  But looking closely at mine, the middle two string posts are mounted in what is obviously the weakest area; narrow in section and without and reinforcing folds, such that the string tension pulling straight from the bridge has the effect of pulling the posts forward, thereby bending the tip of the tailpiece down.

  If you look closely at the photo you can see how the ball ends of the D and G strings are exactly in line with the others although where the string exits the posts it appears to be nearer the body of the guitar. This shows how the string tension has pulled the posts toward the bridge.

  So, depending on the relative strength of the material used, any stamped detail in that area, combined with string tension which will vary according to gauge, scale length and angle, could all easily cause this to happen.

  Looking at my other guitars which all have different tailpieces I can say none of them suffer with this so it may be a problem with the Selmer design. Finding one that is made stiff enough to not bend will be trial and error. Next change of strings I plan to swap that one for a nickel Favino style one I have lying around; the swap solely for the purpose of matching the nickel Schaller Deluxe tuners and even if that one does not bend I could not remember where it came from.

  So there is something to be said for the old standby hinged 'Trapeze' tailpiece after all.

  

  
  

  
• voutoreenie New

  August 2022 Posts: 133

  I would consider switching to loophole strings vs. the ball ends, which appear to be angling additional pressure onto the tailpiece directly into the direction of the guitar it's warping towards