Anybody played a flamenco guitar for ‘Le Pompe’ style? The reason I ask is a flamenco guitar is a percussive instrument—able to cut through on chords. Your thoughts on this subject?
Not necessarily what you consider a flamenco guitar, but Raphael Fays plays this style of music on a nylon string guitar. He's unlocked some incredible flamenco technique using a plectrum, and his Django-style stuff is second to none.
There's Lulo Reinhardt with his signature Kremona guitar. Although I don't know how much flamenco design is in there, I can't but think that it's a punchy, percussive guitar.
Lulo has actually two siganture models. One is a 12 fret with a classical neck and the other is the 14 fret with a thinner neck. The 14 fret looks very interesting to me and I'd like to try it out if I could. I'm aware of one local singer-songwriter type who uses the 14 fret as his main instrument and that seems like a brilliant use for this guitar. To use this instead of a traditional folk style guitar. The nylon strings are softer for a casual player and that guitar still retains a thinner neck and a built-in microphone.
For gypsy jazz though, the nylon strings are an acquired taste. Some use them and sound good but with steel strings they'd sound better. So there's that.
I'd go with a regular classical over a flamenco, flamencos have low action and less strong tension related to the flamenco technique and ultimately will probably be less loud for a given amount of input.
No practical experience here tbh but they are designed a little differently to be percussion instruments and unless you're beating the top, you're probably not taking advantage of that.
I tried to make one and failed pretty miserably for not understanding the differences. Oh well.
Comments
I like it, at least for leads, for that reason.
Not necessarily what you consider a flamenco guitar, but Raphael Fays plays this style of music on a nylon string guitar. He's unlocked some incredible flamenco technique using a plectrum, and his Django-style stuff is second to none.
https://www.youtube.com/watch?v=la4ujB2JkIs
There's Lulo Reinhardt with his signature Kremona guitar. Although I don't know how much flamenco design is in there, I can't but think that it's a punchy, percussive guitar.
Kremona flamenco guitars are good and tend toward percussive, but 12-fret and no cutaway.
Lulo's model is 14 fret to the body (but maybe that's not what you meant).
No. They have a regular flamenco guitar model.
Many thanks for all the above info.Much appreciated.
Lulo has actually two siganture models. One is a 12 fret with a classical neck and the other is the 14 fret with a thinner neck. The 14 fret looks very interesting to me and I'd like to try it out if I could. I'm aware of one local singer-songwriter type who uses the 14 fret as his main instrument and that seems like a brilliant use for this guitar. To use this instead of a traditional folk style guitar. The nylon strings are softer for a casual player and that guitar still retains a thinner neck and a built-in microphone.
For gypsy jazz though, the nylon strings are an acquired taste. Some use them and sound good but with steel strings they'd sound better. So there's that.
I'd go with a regular classical over a flamenco, flamencos have low action and less strong tension related to the flamenco technique and ultimately will probably be less loud for a given amount of input.
No practical experience here tbh but they are designed a little differently to be percussion instruments and unless you're beating the top, you're probably not taking advantage of that.
I tried to make one and failed pretty miserably for not understanding the differences. Oh well.