Sitka has been regarded as a flat top only wood for decades... only rarely do you see sitka used in arch tops or "other" such as a SEL-MAC.
I find sitka to have a special undefinable quality that isn't as "rarified" or as "precious" as European spruces. It can be very bold in tone as well as modulated.
I recently purchased a USA made Dell Arte Selmer from Michael that featured Quilted Big-Leaf Maple sides & back. Nice guitar, fun to play. But I doubt the maple imparts any special characteristics. Frankly, it's a little garish if your taste runs to the traditional. I build cabinets & furniture and quilted maple is always a favorite with me and my clients. So I figured it would be fun to have a very one-of-a-kind guitar. The Busato has nice Fiddle-back maple which is a little more understated but still very striking.
i have some gorgeous sets of quilted bosnian maple, in which the quilting is more subdued (compared with american maples) and i think they´d make a wonderful guitar. i love the classical guitars i´ve seen with quilted and birdseye maple (the great Antonio Torres made some). i also like fiddleback/flamed maple (in fact i have one selmer type guitar made of it), but it comes next to quilted and birdseye.
Comments
cheers,
miguel.
I find sitka to have a special undefinable quality that isn't as "rarified" or as "precious" as European spruces. It can be very bold in tone as well as modulated.
I champion underdogs.
pas encore, j'erre toujours.
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles