Good question. I assumed it was a C/E/A with the C on the D string, but that's because I was into trad jazz before gypsy jazz, and trad jazz guitarists scoot up and down the neck on chunky little 2 & 3 note 'chordlets' quite a bit. Take the form I'm describing (rooted on the D) and root on the A string and you have your 7th... and between those two, you can play acoustic archtop rhythm on about half of the American jazz tunes written in the 1930's (lol). So maybe Django was experimenting with some of the American voicings? Or maybe I'm all wet. Double-stopping and 4, 5, even 6 note chords are so much more common in GJ... I never really stopped to think that there could be more going on because I haven't really looked at this picture closely since I was chunking away on acoustic archtops ;-)
But anyway I thought it was like the chord used in this intro... now I'm not so sure.
You get one chance to enjoy this day, but if you're doing it right, that's enough.
My take is it's a G 6/9 with the root on the 5th string. Holding a straight edge to photo on the monitor (not precision, but an observation nonetheless) it appears the 6th string is not depressed. There's so much to appreciate about this photograph, a time and a place and a spirit that continues to inspire.
Looking at the pic some more and thinking about It could it be an L 5 Gibson. I first assumed 12 fret but on closer inspection the fret marks make more sense on a 14 si I go with he flow.
The Magic really starts to happen when you can play it with your eyes closed
It's Duke Ellington's guitarist Fred Guy's Swedish Levin De Luxe circa (1937-1939). He got it during Ellington's 1939 tour. Django just posed with it for the William Gottlieb photo session. Gottlieb said he tried to focus mostly on Django's hand when taking the photos.
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Actually, if someone can tell me how to just look that cool, whatever chord, I'd be very grateful. 8)
pas encore, j'erre toujours.
Good question. I assumed it was a C/E/A with the C on the D string, but that's because I was into trad jazz before gypsy jazz, and trad jazz guitarists scoot up and down the neck on chunky little 2 & 3 note 'chordlets' quite a bit. Take the form I'm describing (rooted on the D) and root on the A string and you have your 7th... and between those two, you can play acoustic archtop rhythm on about half of the American jazz tunes written in the 1930's (lol). So maybe Django was experimenting with some of the American voicings? Or maybe I'm all wet. Double-stopping and 4, 5, even 6 note chords are so much more common in GJ... I never really stopped to think that there could be more going on because I haven't really looked at this picture closely since I was chunking away on acoustic archtops ;-)
But anyway I thought it was like the chord used in this intro... now I'm not so sure.
Either that or a Bb demolished (JK)
Listen to the interview on this photo here:
http://lcweb2.loc.gov/natlib/ihas/servi ... 1/0001.mp3
The guitar is still being sold here:
http://www.ebay.com/itm/Vintage-Levin-Guitar-prev-owned-Fred-Guy-1940s-pic-Django-Reinhardt-/230976364304?_trksid=p2047675.m1850&_trkparms=aid%3D222002%26algo%3DSIC.FIT%26ao%3D1%26asc%3D11%26meid%3D7490863882929017565%26pid%3D100011%26prg%3D1005%26rk%3D4%26sd%3D230611542979%26